1
“The capability to converse in numerical forms and to have numerical way to interpret what
is being said was the height of Knowledge and Intellect of the specific class of Rishis who
attained Brahma Padam or state/position to be called Brahmarishis. Other Rishis had to
learn from them and it was at the discretion of Brhmarishis what to be imparted to them.
This is how the Vedas were drawn in space”. [At Kollur Sri Mookambika Temple, Guest
House, 9/10-01-2012; a sequence of Mulubagilu discussions:-.Krishna Kumar MB
It is pertinent to mark that the chosen letter to begin the Vedas is “Aa‟” with the incomplete
base note in the Chandas or scale of Gayatri. When a sound is heard and learnt, there is a
perfection and precision in the way it is spelled out or resonated. Whereas when it is written,
it gives enormous freedom to read as one desires. Intonations, modulations, and all nuances
will invariably differ from person to person, or to the same person, depending upon the time
and mindset. In order to have a restriction on this freedom, it was important that the Rishis or
Seers found a technology of drawing the scriptures. Thus based on the Technological frame
work of Gayatri, Vedas were drawn.
Drawing and writing are different processes. Drawing is wit precision and is a graphic
representation , in which every point of the loci of what we call a „Font‟ or „letter‟ has a
relevance in its in expression, codifying and is a structured entity and not a slowly evolved
one . There were scriptures before The Vedas were written, that was „Pra-kriti‟ individual
creations for specific purposed derived from natural formations in nature and the sounds that
they produce. Like in English, a parrot can be drawn from the font „ P‟.
When it came to Vedas, the question of how precisely a systematized streams of knowledge
can be made concise with precision, together with other systems of knowledge was the basic
consideration. This necessitated an intricate system that search went on for ages. The most
effective and universally acceptable system of codification in an encrypted form was
developed by Kaushika, based on his scale of Gayatri. This system addressed the long
IIIIR||
2
pending requisite for standardizing time in three ways. Diurnal, periodic and in
synchronization with the constellations. Gayatri incorporates most intricate form of
codification , variable functions, vectors , scalars, samyogas or integrated functions,
fundamental operations, Geo-metric functions, theorizing , in a convergent form. Vedas are
not a system that sciences or knowledge diverges from it or originates from it. Every Font
drawn in a Veda is a Point or Bindu of zero degrees with a definitive angle , that arcs off to
incorporate radiant triangles as poly cube. Every Font thus is a space of its own.
This is set with the foundations of Indian systems, which primarily explored on the question
of space and not that of matter. The question of how space originated had to be answered,
then only the question of matter in which it contains had to be addressed. Particulate
structures are comparatively simpler and existent forms, where as space was a non definable
entity., that is the precursor or progenitor of matter. This necessitated the devising of a
technology which can withhold space within its functional imperatives. To bring out the
theories and explanations, derivations and the entire volumes of Space Sciences, could have
been the declared task of Indian Space Research Organization and Indian Physical Research
laboratories. However, it has not so far happened. This spatial system and its derivations
form the basis of the convergent point of „ O‟ or „0‟ which is has the first point of locus
resonating “Aa‟.
With this theorization and codification integrated in Gayatri, the Aksharams or Letters or
fonts were drawn in space with cosmic radiance, a technology which is achievable only to a
Brahmarishi and can be perceived only by a Brahmarishi. Gayatri was first drawn or created
by Kaushika , that led Vasishta to give him the title of Viswa-m-itra and attained the status of
Brahmarishi. This creation of the script in the space implies that, the knowledge base will
never be wiped off from the universe, even if human race and the earth and the Milky Way
perishes. Some where it will be perceived by some for of life, and the Vedas will be reborn.
This is the principle of eternity and continuity of knowledge.
To say, Vedas are not written in any language, it is an intricate code, like the chromosomes in
the body. And Vedas are the genetic endowments of this universe. In situ, as it uncoils, ,
octamerics, base pairs, sequences with symmetries from bilateral to palindromes and the like
will become visible.
The surface meanings of words as a hymn, as defined by Gayatri, is used to scribe the
precedent and later scriptures, that eventually came to stylized scientific form of languagethe
Sanskrit. Based on which the Vedas were interpreted and the sciences died a Natural
Death.
Veda should never be said to be written in a language. Vedas are not written, but are drawn.
Its letters are in streaks of radiant metallic texture and are not of golden colour.
A_K‟SH”ARA KHANDAM
Every letter is derived in Khandas or regular segments. Segments are functional
attributes, No letter is perfectly having its own ovation. Every letter is expressed through
3
carriers of other sounds, that is represented by an „Upa Khanda‟ or sub segment. Sub
segments imply the functional imperatives and operational applications and the derivatives in
conjecture to the other upa khanda, with intonation and the nuances therein produces the
equations, processes and the implications therein, to give rise to a defined sound. The letter
is drawn to a scale. And, which may have a disha bodha or direction. This is the key to
operationalise the processes or the function and to derive the values there in. The positional
application of a letter is predetermined through this scheme. Every letter is rendered with
symmetry, linear, vertical or horizontal.
Every letter is a solid multidimensional poly cube, representing a phenomenon, processes,
applications or their extensions, expressed through its sub-segments, segments and in totality
as expressed along with its carrier sounds of the letters or precursors.
PRECURSORS or „SROUDHARA”
“Sr-a O- UDHARA‟ – sequential flow of resonances SHRA –O that have created visible
forms are‟ UDHARA” or projected to give rise to the base from which a Font is drawn is
called its precursor.
Every letter has a precursor in a different form that has no structural conformity with the
finally drawn form. Precursor of the letter, symbolizes the characteristics and functional
properties in a derived word that forms the key resonation or Dhwani. Dhwani is the basis
that is SRA- Heard and UDHARA Projected.
Dhara means earth and adhara means lips, srao means hearing or heard.
Sra – also means effort, udhara means taken out from, dhara means sequential flow.
Sa – soonya – from infinity, undivided infinity to infinite variety.
In the depths of eternal silence, the shearing sounds of radiations were like thunder. An
impatient waiting for decades together, to get hold of the moment that the rumbles of the
universe are muted and the base reverberations could be heard. Only from this base reverb
that has the characteristics of the sum total and reciprocations of the billions of explosions
and traversing sounds of invisible to gigantic objects, the creation can be started. A purely
cosmic design, that has synchronous existence with the elements of the universe, alone
can be sustained and be immortal. What is left today should be perceived even after several
millions of years. It is in the space. It grows in the space. It has no time, it has no matter.
The question of space and origin of space was the need to be answered. Space is the key.
Matter can be created, but to learn the process of creating space was the question left.
Letters are the mechanized systems or Yantras that conform to the creation of space.
This needs to give stability to the planets and their systems and the entire universe, this
needed creation of space for the systems to be set in place. Extending the atmosphere and
creating space on one hand and creating a corresponding space in the outer realms of the
4
universe where, the particles are created and radiated to gain momentum, to be called the
dust, that gets fused together to form larger particulate structures leading to stars or other
galaxies. The core space where eight galaxies radiate is where the space has to be
formed and expanded. It is from where „SROUDHARA‟ took its form, and was perceived.
The instantaneous process of traversing in a reverse time scale where ONE “ Aa” (1) gets
raised to the value of “0” and “ 0 “ is raised to the Value of Infinity, whereby, these three
values attain a varying positional function and at the same time integrates to attain the same
value of the infinite. This infinite and “0” disseminate to the value of “one” from that is
where the space is created. It has a velocity equivalent the particle to traverse zeroing down
the time to nil to complete one cycle and infinite gets raised to the stature of pre-existent
entity, thus constituting the “SROUDHARA „ or the precursor.
Precursor, thus formed as the resultant derivation of a functional attribute of the spatial
function, could be drawn thus with its base reverb or resonance, in the space, to be the
carriers of AKshara Khanda. Each Akshara Khanda symbolizes the space within the space to
produce a structural conformation of a mechanized system or Yantra that inscribes within the
internal space the entire gamut of the technologies, derivations, terminologies, calculations,
operations and functions. Integrated function of these spatial mechanisms constitutes a
Vedic letter or Vedakshara.
AKSHARA BANDHA or BINDING OF LETTERS
The task of binding letters to its positions to test to give the right meaning and at the same
time encoding the technological, operational and functional aspects with definitive
categorization was the greatest crafting ever done with precision and accuracy.
A Letter or Akshara is sequentially bound Bindus or pixels of digital information without
inter-phases. It involves two phases (1) sequencing of the sub segments of a letter into
segments and then interlinking the sub-segments into a segment or „Dhat‟ or “unitary”
information which is independent in itself and ( 2) spacing or positioning the „Dhat‟ into two
letter word or “Binary” information system to produce larger information databases or word. .
The remaining letters are used only to extent the scope, expanse or to indicate the functional
and its variables to create a “module” or “Mantra”. One Module is a sequence of „Dhat‟ to
produce a desired information database, which elaborates an application or technology. Thus
the bindu is the convergence of digital information data bases to give rise to Dhat and
Mantra, whereas Dhat itself can be a mantra within itself called ekakshari mantra or single
letter hymn.
A letter when drawn with all its expanse of the “Bindus” gives rise to a structure or Yantra,
that can be correlated to a “SUPER MEGA CHIP” with its composite structure of circuitry
frame work that operates with the BIIONIC ENERGY or “TVASHTA”. This forms the
Basis of “GAYATRI” as the key to the Vedas Beginning with Rig Veda.
5
Yantras function with the Biionic energy. Biionic energy can be attained through years of
practice that includes multifarious knowledge, systematizing the mind and experiences of life
that oneself draws to gather energy and gets synchronized with the cosmic. These are not
illusions, Yoga or Tantra, but a systematic methodology through which cosmic energy is
derived.
SANKHYA_AKSHARA_SAMYOGAM
Sankya( numerical Values) Akshara ( letters or Alphabets) were used in the same manner by
the Rishis who reach a certain level. Whether it is Skandha, Vasishta or Kaushika, they had
an astounding knowledge of calculations. Oral tradition underlies in the visualisation of
what is being heard and to hear (transcribing to verse) what is being seen. This gives an
inherent capability to sketch complicated structures of numerous dimensions in the space.
What is seen in mind is in space. The visionaries of that pedigree or lineage or identical
abilities could restructure what is heard in the same colours and dimensions, shape and
structure as it is rendered by the other. It can be said to be a Frame by Frame memory in a
sequential order. This was the need to retain the values from not being lost or misused. This
accounted for the creation of specific communities to perform specific functions in the
society. The practical application that concerns the welfare of such knowledge was imparted
to a specific class who later on diversified to be called Brahmans, who were confined to a
pilot plant of the processes that were developed, that have positive impact in the environment.
At times these were demonstrative rituals from time to time.
The capability to converse in numerical forms and to have numerical way to interpret what is
being said was the height of Knowledge and Intellect of the specific class of Rishis who
attained Brahma Padam or position to be called Brahmarishis. Other Rishis had to learn from
them and it was at the discretion of Brhmarishis what to be imparted to them. This is how the
Vedas were drawn in space.
Sankhya or numerical in definitive schemes explains what it implies. Numerical operations
form the Upa Khandam, Khandam , Aksharam and Akshara Bandham to form the sabda or
word.
Rig Veda begins with Madhuu ch‟chanda. Madhuchanda is a coded form, which has the
Gayatri Scheme of Vaiswamitra and is
“VyaSa NaBhaSa Vangka Ga Jangkha Gacha Cha Yanja Cha
JaDanga KhaDanga Ta Tt‟aka KhaGa Ga„nNa NanDa Gacha Cha”
And
“VaRa JaLa GkhaRa Ga Kha Dtha Sa- JaShaJa Sa cha‟Cha Ta”
There need not be any doubt that Vyasa heard the Vang Words. And the place is in the
Himalayas Jangkha.
6
Vaiswamitra Rishi„s Gayatri has been decoded and presented Previously.
SANKHYA_AKSHARA_SAMYOGAM
1. UNITARY SYSTEM
Numerical system of codifying essentially underlies in the standardisation of a
format of affixing the values and positioning them in a uniform format. Such a
system would have values in a linear system. This was a major transition in
aligning knowledge bases. Ascending, descending or diagonal patterns have
equal placements in a positional system. This tabulation system of numerical
values equates a number in its systematic position and orientation. This
framework permeated further schematisation and to have a format for clarity of
understanding among the elite group of BrahmaRishis. Kaushika developed
various schemes of codifying that forms one of the systems in drawing the Vedas
into uniform format.
1, 2, 3, 4, 5, 6, 7, 8
Positional value 1& 0 and one with other numbers up to eight prefixes nine and
zero is confined to operational value with one, to give rise to module.
7
Binary system is an integrated function of 0 and one in the primary module.
Kaushika or Vaiswamitra schemes have this modular base in transcribing the
“Sroudhari” that underlies Sankhyaa Samyogam.
VEDKSHARA
MADHU ch-CHANDA
Ma= 24
DHa = 4
CHA= 6
ch‟CHA=7
NA=20
Da = 18
Upa Khandam 1
(6,x,7) +(20x18) = 4,2 + 360 i.e., 6+ 360= 366 = 3+6+6 = 15 = 1+5
(40 +2)+ 3+ (6+6) = (1 +6)
Upakhandam 2
rRa+Kha + Ga+(Cha+ Cha) = Ka + Cha
Upakhandam 1
40= 8 x5
JA x.ng =
Jangkha GaCha Cha + 366
366= 30x10 +6 = Ya+Nja + Cha
Ja ng KhaGa Cha Cha Yanja Cha
Khandam 1
28 = 4x7
14x2
AKSHARABANDHAM 1
8
(2+8+3+15) = KhaGa Ga N‟na +(13+15) N‟na D‟a +(16+ 11+1) = Ta T‟ta Ka +( 8+3+16+1)
= Ja Ga Ta Ka + (3+19+6) = Ga Dd‟tHA Cha + (2+5+13 +1) = Kha nG Da Ka +(8+13+5+2)
= Ja Da Ng Kha +(
Ja Da Nga -Kha Dang Ka Ta T‟ta Ka JaGa TaKa KhaG Ga N‟na Nn‟Da GA D‟tha Cha
Khandam 2
2 3 8 15 13 15 16 11 1 83 16 1 3 19 6 2 5 13 1 8 13 5 2
3 30 40
Khandam 3
(6,x,7) +(20x18) = 4,2 + 360 i.e., 6+ 360= 366 = 3+6+6 = 15 = 1+5
(40 +2)+ 3+ (6+6) = (1 +6)
402
AKSHARABANDHAM 2
(30 + 60 +90 ) (20+ 24+70+ 60)+(3+10+ 1)
(Ya Va Sa) ( Na Bha S‟s‟a Va ‟Ng Ka Ga
VyaSa Nabha savaNgka Ga
SANKYAKSHARA SAMYOGAM.1
“Vyasa nabhasa Vangka Ga Jangkha Gacha Cha Yanja Cha
Jadanga Khadanga tattaka Khaga Gana Nanda Gacha Cha”
II. BINARY SYSTEM
Upakhandam 1
24 4 6 7 18
2X4x6x7x18 = 60 48
Khandam 1
60 48 = 18 = 1+8 = 9
Khandam 2
60 48 x 9 = 54 43 2
9
Khandam 3
54 43 2= 972 = 18 = 1+8 = 9
Khandam 4
54 43 2 x 9 = 18 98 88 = 9 7 16 = 42 = 6
AKSHARA BANDHAM 1
60 48 = 60 + 40+8 = Va Ra Ja
AKSHARA KHANDAM 2
54 43 2 = 50+4 + 40+3+ 2 = La GKha RaGa Kha
AKSHARA KHANDAM 3
19 98 88 = 19+90+8 + 80+ 8 = DTha Sa Ja Sha Ja
AKSHARAKHANDAM 4
97 16 = 90+7+16 = Sa Ch‟cha Ta
AKSHARASAMYOGAM
= Va Ra Jala GkhaRa Ga Kha Dtha SajaShaJa Sa Cha‟cha Ta
BINARY CODE
Binary CODE = 27 00 84
Binary Value or the number of codes used in Rig Veda
9 00 x 12 = 108 00
10800 is the total number of verses in Rig Veda and the number of bricks used in the
Yaga.
OTHER DIMENSIONS
Other dimensions do not need this. To get an idea of the technological applications and
theorizing, Gayatri was decoded further.
10
The processes codes and the technologies are not decoded here. Each has a separate
formation of Upakhanda , khanda, nadasmayoga, sankhyakshara samyoga.
Vedas are not written; it is Vang and is not in samskrutam. Samskrutam is the decoded
Akshara samuchayam through a schematic pattern with numerical attributes.
“The capability to converse in numerical forms and to have numerical way to interpret what
is being said was the height of Knowledge and Intellect of the specific class of Rishis who
attained Brahma Padam or state/position to be called Brahmarishis. Other Rishis had to
learn from them and it was at the discretion of Brhmarishis what to be imparted to them.
This is how the Vedas were drawn in space”. [At Kollur Sri Mookambika Temple, Guest
House, 9/10-01-2012; a sequence of Mulubagilu discussions:-.Krishna Kumar MB
It is pertinent to mark that the chosen letter to begin the Vedas is “Aa‟” with the incomplete
base note in the Chandas or scale of Gayatri. When a sound is heard and learnt, there is a
perfection and precision in the way it is spelled out or resonated. Whereas when it is written,
it gives enormous freedom to read as one desires. Intonations, modulations, and all nuances
will invariably differ from person to person, or to the same person, depending upon the time
and mindset. In order to have a restriction on this freedom, it was important that the Rishis or
Seers found a technology of drawing the scriptures. Thus based on the Technological frame
work of Gayatri, Vedas were drawn.
Drawing and writing are different processes. Drawing is wit precision and is a graphic
representation , in which every point of the loci of what we call a „Font‟ or „letter‟ has a
relevance in its in expression, codifying and is a structured entity and not a slowly evolved
one . There were scriptures before The Vedas were written, that was „Pra-kriti‟ individual
creations for specific purposed derived from natural formations in nature and the sounds that
they produce. Like in English, a parrot can be drawn from the font „ P‟.
When it came to Vedas, the question of how precisely a systematized streams of knowledge
can be made concise with precision, together with other systems of knowledge was the basic
consideration. This necessitated an intricate system that search went on for ages. The most
effective and universally acceptable system of codification in an encrypted form was
developed by Kaushika, based on his scale of Gayatri. This system addressed the long
IIIIR||
2
pending requisite for standardizing time in three ways. Diurnal, periodic and in
synchronization with the constellations. Gayatri incorporates most intricate form of
codification , variable functions, vectors , scalars, samyogas or integrated functions,
fundamental operations, Geo-metric functions, theorizing , in a convergent form. Vedas are
not a system that sciences or knowledge diverges from it or originates from it. Every Font
drawn in a Veda is a Point or Bindu of zero degrees with a definitive angle , that arcs off to
incorporate radiant triangles as poly cube. Every Font thus is a space of its own.
This is set with the foundations of Indian systems, which primarily explored on the question
of space and not that of matter. The question of how space originated had to be answered,
then only the question of matter in which it contains had to be addressed. Particulate
structures are comparatively simpler and existent forms, where as space was a non definable
entity., that is the precursor or progenitor of matter. This necessitated the devising of a
technology which can withhold space within its functional imperatives. To bring out the
theories and explanations, derivations and the entire volumes of Space Sciences, could have
been the declared task of Indian Space Research Organization and Indian Physical Research
laboratories. However, it has not so far happened. This spatial system and its derivations
form the basis of the convergent point of „ O‟ or „0‟ which is has the first point of locus
resonating “Aa‟.
With this theorization and codification integrated in Gayatri, the Aksharams or Letters or
fonts were drawn in space with cosmic radiance, a technology which is achievable only to a
Brahmarishi and can be perceived only by a Brahmarishi. Gayatri was first drawn or created
by Kaushika , that led Vasishta to give him the title of Viswa-m-itra and attained the status of
Brahmarishi. This creation of the script in the space implies that, the knowledge base will
never be wiped off from the universe, even if human race and the earth and the Milky Way
perishes. Some where it will be perceived by some for of life, and the Vedas will be reborn.
This is the principle of eternity and continuity of knowledge.
To say, Vedas are not written in any language, it is an intricate code, like the chromosomes in
the body. And Vedas are the genetic endowments of this universe. In situ, as it uncoils, ,
octamerics, base pairs, sequences with symmetries from bilateral to palindromes and the like
will become visible.
The surface meanings of words as a hymn, as defined by Gayatri, is used to scribe the
precedent and later scriptures, that eventually came to stylized scientific form of languagethe
Sanskrit. Based on which the Vedas were interpreted and the sciences died a Natural
Death.
Veda should never be said to be written in a language. Vedas are not written, but are drawn.
Its letters are in streaks of radiant metallic texture and are not of golden colour.
A_K‟SH”ARA KHANDAM
Every letter is derived in Khandas or regular segments. Segments are functional
attributes, No letter is perfectly having its own ovation. Every letter is expressed through
3
carriers of other sounds, that is represented by an „Upa Khanda‟ or sub segment. Sub
segments imply the functional imperatives and operational applications and the derivatives in
conjecture to the other upa khanda, with intonation and the nuances therein produces the
equations, processes and the implications therein, to give rise to a defined sound. The letter
is drawn to a scale. And, which may have a disha bodha or direction. This is the key to
operationalise the processes or the function and to derive the values there in. The positional
application of a letter is predetermined through this scheme. Every letter is rendered with
symmetry, linear, vertical or horizontal.
Every letter is a solid multidimensional poly cube, representing a phenomenon, processes,
applications or their extensions, expressed through its sub-segments, segments and in totality
as expressed along with its carrier sounds of the letters or precursors.
PRECURSORS or „SROUDHARA”
“Sr-a O- UDHARA‟ – sequential flow of resonances SHRA –O that have created visible
forms are‟ UDHARA” or projected to give rise to the base from which a Font is drawn is
called its precursor.
Every letter has a precursor in a different form that has no structural conformity with the
finally drawn form. Precursor of the letter, symbolizes the characteristics and functional
properties in a derived word that forms the key resonation or Dhwani. Dhwani is the basis
that is SRA- Heard and UDHARA Projected.
Dhara means earth and adhara means lips, srao means hearing or heard.
Sra – also means effort, udhara means taken out from, dhara means sequential flow.
Sa – soonya – from infinity, undivided infinity to infinite variety.
In the depths of eternal silence, the shearing sounds of radiations were like thunder. An
impatient waiting for decades together, to get hold of the moment that the rumbles of the
universe are muted and the base reverberations could be heard. Only from this base reverb
that has the characteristics of the sum total and reciprocations of the billions of explosions
and traversing sounds of invisible to gigantic objects, the creation can be started. A purely
cosmic design, that has synchronous existence with the elements of the universe, alone
can be sustained and be immortal. What is left today should be perceived even after several
millions of years. It is in the space. It grows in the space. It has no time, it has no matter.
The question of space and origin of space was the need to be answered. Space is the key.
Matter can be created, but to learn the process of creating space was the question left.
Letters are the mechanized systems or Yantras that conform to the creation of space.
This needs to give stability to the planets and their systems and the entire universe, this
needed creation of space for the systems to be set in place. Extending the atmosphere and
creating space on one hand and creating a corresponding space in the outer realms of the
4
universe where, the particles are created and radiated to gain momentum, to be called the
dust, that gets fused together to form larger particulate structures leading to stars or other
galaxies. The core space where eight galaxies radiate is where the space has to be
formed and expanded. It is from where „SROUDHARA‟ took its form, and was perceived.
The instantaneous process of traversing in a reverse time scale where ONE “ Aa” (1) gets
raised to the value of “0” and “ 0 “ is raised to the Value of Infinity, whereby, these three
values attain a varying positional function and at the same time integrates to attain the same
value of the infinite. This infinite and “0” disseminate to the value of “one” from that is
where the space is created. It has a velocity equivalent the particle to traverse zeroing down
the time to nil to complete one cycle and infinite gets raised to the stature of pre-existent
entity, thus constituting the “SROUDHARA „ or the precursor.
Precursor, thus formed as the resultant derivation of a functional attribute of the spatial
function, could be drawn thus with its base reverb or resonance, in the space, to be the
carriers of AKshara Khanda. Each Akshara Khanda symbolizes the space within the space to
produce a structural conformation of a mechanized system or Yantra that inscribes within the
internal space the entire gamut of the technologies, derivations, terminologies, calculations,
operations and functions. Integrated function of these spatial mechanisms constitutes a
Vedic letter or Vedakshara.
AKSHARA BANDHA or BINDING OF LETTERS
The task of binding letters to its positions to test to give the right meaning and at the same
time encoding the technological, operational and functional aspects with definitive
categorization was the greatest crafting ever done with precision and accuracy.
A Letter or Akshara is sequentially bound Bindus or pixels of digital information without
inter-phases. It involves two phases (1) sequencing of the sub segments of a letter into
segments and then interlinking the sub-segments into a segment or „Dhat‟ or “unitary”
information which is independent in itself and ( 2) spacing or positioning the „Dhat‟ into two
letter word or “Binary” information system to produce larger information databases or word. .
The remaining letters are used only to extent the scope, expanse or to indicate the functional
and its variables to create a “module” or “Mantra”. One Module is a sequence of „Dhat‟ to
produce a desired information database, which elaborates an application or technology. Thus
the bindu is the convergence of digital information data bases to give rise to Dhat and
Mantra, whereas Dhat itself can be a mantra within itself called ekakshari mantra or single
letter hymn.
A letter when drawn with all its expanse of the “Bindus” gives rise to a structure or Yantra,
that can be correlated to a “SUPER MEGA CHIP” with its composite structure of circuitry
frame work that operates with the BIIONIC ENERGY or “TVASHTA”. This forms the
Basis of “GAYATRI” as the key to the Vedas Beginning with Rig Veda.
5
Yantras function with the Biionic energy. Biionic energy can be attained through years of
practice that includes multifarious knowledge, systematizing the mind and experiences of life
that oneself draws to gather energy and gets synchronized with the cosmic. These are not
illusions, Yoga or Tantra, but a systematic methodology through which cosmic energy is
derived.
SANKHYA_AKSHARA_SAMYOGAM
Sankya( numerical Values) Akshara ( letters or Alphabets) were used in the same manner by
the Rishis who reach a certain level. Whether it is Skandha, Vasishta or Kaushika, they had
an astounding knowledge of calculations. Oral tradition underlies in the visualisation of
what is being heard and to hear (transcribing to verse) what is being seen. This gives an
inherent capability to sketch complicated structures of numerous dimensions in the space.
What is seen in mind is in space. The visionaries of that pedigree or lineage or identical
abilities could restructure what is heard in the same colours and dimensions, shape and
structure as it is rendered by the other. It can be said to be a Frame by Frame memory in a
sequential order. This was the need to retain the values from not being lost or misused. This
accounted for the creation of specific communities to perform specific functions in the
society. The practical application that concerns the welfare of such knowledge was imparted
to a specific class who later on diversified to be called Brahmans, who were confined to a
pilot plant of the processes that were developed, that have positive impact in the environment.
At times these were demonstrative rituals from time to time.
The capability to converse in numerical forms and to have numerical way to interpret what is
being said was the height of Knowledge and Intellect of the specific class of Rishis who
attained Brahma Padam or position to be called Brahmarishis. Other Rishis had to learn from
them and it was at the discretion of Brhmarishis what to be imparted to them. This is how the
Vedas were drawn in space.
Sankhya or numerical in definitive schemes explains what it implies. Numerical operations
form the Upa Khandam, Khandam , Aksharam and Akshara Bandham to form the sabda or
word.
Rig Veda begins with Madhuu ch‟chanda. Madhuchanda is a coded form, which has the
Gayatri Scheme of Vaiswamitra and is
“VyaSa NaBhaSa Vangka Ga Jangkha Gacha Cha Yanja Cha
JaDanga KhaDanga Ta Tt‟aka KhaGa Ga„nNa NanDa Gacha Cha”
And
“VaRa JaLa GkhaRa Ga Kha Dtha Sa- JaShaJa Sa cha‟Cha Ta”
There need not be any doubt that Vyasa heard the Vang Words. And the place is in the
Himalayas Jangkha.
6
Vaiswamitra Rishi„s Gayatri has been decoded and presented Previously.
SANKHYA_AKSHARA_SAMYOGAM
1. UNITARY SYSTEM
Numerical system of codifying essentially underlies in the standardisation of a
format of affixing the values and positioning them in a uniform format. Such a
system would have values in a linear system. This was a major transition in
aligning knowledge bases. Ascending, descending or diagonal patterns have
equal placements in a positional system. This tabulation system of numerical
values equates a number in its systematic position and orientation. This
framework permeated further schematisation and to have a format for clarity of
understanding among the elite group of BrahmaRishis. Kaushika developed
various schemes of codifying that forms one of the systems in drawing the Vedas
into uniform format.
1, 2, 3, 4, 5, 6, 7, 8
|
0
|
1
(1+0)
|
2
(1+1)
|
3
(1+2)
|
4
(1+3)
|
5
(1+4)
|
6
(1+5)
|
7
(1+6)
|
8
(1+7)
|
9
(1+8)
|
|
9
|
10
|
11
|
12
|
13
|
14
|
15
|
16
|
17
|
18
|
|
2(9)
|
19
|
20
|
21
|
22
|
23
|
24
|
25
|
26
|
27
|
|
3(9)
|
28
|
29
|
30
|
31
|
32
|
33
|
34
|
35
|
36
|
|
4(9)
|
37
|
38
|
39
|
40
|
41
|
42
|
43
|
44
|
45
|
|
5(9)
|
46
|
47
|
48
|
49
|
50
|
51
|
52
|
53
|
54
|
|
6(9)
|
55
|
56
|
57
|
58
|
59
|
60
|
61
|
62
|
63
|
|
7(9)
|
64
|
65
|
66
|
67
|
68
|
69
|
70
|
71
|
72
|
|
8(9)
|
73
|
74
|
75
|
76
|
77
|
78
|
79
|
80
|
81
|
|
9(9)
|
82
|
83
|
84
|
85
|
86
|
87
|
88
|
89
|
90
|
|
9(10)
|
91
|
92
|
93
|
94
|
95
|
96
|
97
|
98
|
99
|
|
11(9)
|
100
|
101
|
102
|
103
|
104
|
105
|
106
|
107
|
108
|
Positional value 1& 0 and one with other numbers up to eight prefixes nine and
zero is confined to operational value with one, to give rise to module.
7
Binary system is an integrated function of 0 and one in the primary module.
Kaushika or Vaiswamitra schemes have this modular base in transcribing the
“Sroudhari” that underlies Sankhyaa Samyogam.
VEDKSHARA
MADHU ch-CHANDA
Ma= 24
DHa = 4
CHA= 6
ch‟CHA=7
NA=20
Da = 18
Upa Khandam 1
(6,x,7) +(20x18) = 4,2 + 360 i.e., 6+ 360= 366 = 3+6+6 = 15 = 1+5
(40 +2)+ 3+ (6+6) = (1 +6)
Upakhandam 2
rRa+Kha + Ga+(Cha+ Cha) = Ka + Cha
Upakhandam 1
40= 8 x5
JA x.ng =
Jangkha GaCha Cha + 366
366= 30x10 +6 = Ya+Nja + Cha
Ja ng KhaGa Cha Cha Yanja Cha
Khandam 1
28 = 4x7
14x2
AKSHARABANDHAM 1
8
(2+8+3+15) = KhaGa Ga N‟na +(13+15) N‟na D‟a +(16+ 11+1) = Ta T‟ta Ka +( 8+3+16+1)
= Ja Ga Ta Ka + (3+19+6) = Ga Dd‟tHA Cha + (2+5+13 +1) = Kha nG Da Ka +(8+13+5+2)
= Ja Da Ng Kha +(
Ja Da Nga -Kha Dang Ka Ta T‟ta Ka JaGa TaKa KhaG Ga N‟na Nn‟Da GA D‟tha Cha
Khandam 2
2 3 8 15 13 15 16 11 1 83 16 1 3 19 6 2 5 13 1 8 13 5 2
3 30 40
Khandam 3
(6,x,7) +(20x18) = 4,2 + 360 i.e., 6+ 360= 366 = 3+6+6 = 15 = 1+5
(40 +2)+ 3+ (6+6) = (1 +6)
402
AKSHARABANDHAM 2
(30 + 60 +90 ) (20+ 24+70+ 60)+(3+10+ 1)
(Ya Va Sa) ( Na Bha S‟s‟a Va ‟Ng Ka Ga
VyaSa Nabha savaNgka Ga
SANKYAKSHARA SAMYOGAM.1
“Vyasa nabhasa Vangka Ga Jangkha Gacha Cha Yanja Cha
Jadanga Khadanga tattaka Khaga Gana Nanda Gacha Cha”
II. BINARY SYSTEM
Upakhandam 1
24 4 6 7 18
2X4x6x7x18 = 60 48
Khandam 1
60 48 = 18 = 1+8 = 9
Khandam 2
60 48 x 9 = 54 43 2
9
Khandam 3
54 43 2= 972 = 18 = 1+8 = 9
Khandam 4
54 43 2 x 9 = 18 98 88 = 9 7 16 = 42 = 6
AKSHARA BANDHAM 1
60 48 = 60 + 40+8 = Va Ra Ja
AKSHARA KHANDAM 2
54 43 2 = 50+4 + 40+3+ 2 = La GKha RaGa Kha
AKSHARA KHANDAM 3
19 98 88 = 19+90+8 + 80+ 8 = DTha Sa Ja Sha Ja
AKSHARAKHANDAM 4
97 16 = 90+7+16 = Sa Ch‟cha Ta
AKSHARASAMYOGAM
= Va Ra Jala GkhaRa Ga Kha Dtha SajaShaJa Sa Cha‟cha Ta
BINARY CODE
Binary CODE = 27 00 84
Binary Value or the number of codes used in Rig Veda
9 00 x 12 = 108 00
10800 is the total number of verses in Rig Veda and the number of bricks used in the
Yaga.
OTHER DIMENSIONS
Other dimensions do not need this. To get an idea of the technological applications and
theorizing, Gayatri was decoded further.
10
The processes codes and the technologies are not decoded here. Each has a separate
formation of Upakhanda , khanda, nadasmayoga, sankhyakshara samyoga.
Vedas are not written; it is Vang and is not in samskrutam. Samskrutam is the decoded
Akshara samuchayam through a schematic pattern with numerical attributes.
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