VEDAS
– KNOWLEDGE DEVOID OF LANGUAGE
Concept of infinite knowledge stands in
conformity with the universal belief that nothing more exists in this universe other
than that is embedded in the Vedas. This
system of knowledge based on the traditions of rendering through frequency
modulations ( Vang Format) eventually became redundant to a written format.
The
Vedas stand as an unchanged inert system throughout different epochs of human
existence as the basic template, in the same format as the genome of the living
beings. The transcriptional process is
through the activation of resonances spaced out into modulations or notes as a
temporal operation in graphic formations. This structuring and processes are
elaborate as the rendering involves definitive number of persons, positioned to
give a specific graphic configuration. Graphic configuration of resonances and
sounds with its notations and minute nuancestogether with the spacing and time
transcribes the information content in to segmental sequences. Construction or structuring of a derivation
can only be generated out of such graphic formations which later on was
patronized by different schools. These schools were essentially, Hayagriva,
Brahma, Daksha, Prajapati, Atri, Brigu, Vasishta, Kaushika, Angiras, Pulaha,
Pulastya, Kapila, Agastya, Valmiki, Gautama and Yamaka. The Veda, which was
confined to Hayagriva was transferred to Brahma, from Brahma various branches
emerged. Later, Skanda created a system of Cosmology, came to be known as
Jyotishamati, compiling and systematizing the works of nearly 1500 generations.
This was later re interpreted according to the functional needs of schools from
Atri to Vasishta that came to be known as Hora Shastra or Science of time. From
here, Kaushika reworked and created his own school of Hora Shastra. Further,
Kaushika invented the Geological time scale confining it to the Solar system,
with sun at the center called Gayatri. This led to the formation of Triparnas
or Schools of Triology truncating the Vedas according the system of Gayatri.
This systematics eventually led to the creation of a new system of Pre, mid and
terminal systems known as Rig, Sam and Yaj-ur. This was patronized by the
school of Brahma under three resonance bases, of Ahh, Ooo... Hmmm, which is the
basis for the trilogical rendering. Rig is base resonances, Sam is midrange and
Sam is nasal in ovation. Three resonances with its graphic conformities in
rendering form the basis of transcription
in a format characterized as VaaNg. Vaang is structured on the P’- Rra- Krut or that
which is derived nature- wind, rain, thunder, rolling stones, falling
leaves and trees, the sounds of animals coupled with gestures of expression – movement and positioning of
hands, head, eyes, eye brows, to and fro movement of body in vertical axis. The
most intricate system of each has its integral values confined in an octave
system. Later the school of the Sage Yajnavalkia added many of the interlinking
factors to the three Vedas and incorporated all advancements of another epoch,
which most of the schools of Triology accepted as the fourth Veda and some
decried as “ill or negating” Veda – the Heena Veda.
With
the elucidation of Gayatri, that invokes the development of extra cranial
intelligence to a state whereby a human brain could compute “Sahasra” or 51.9
million permutation combinations of numeric-resonance –alphabetic system- the
highest achievable intelligence.
Gayatrification of human body and sensory perceptions takes one to extra
cranial intelligence or perceptions of prior, existent and prosthetics. The
numerical system (Saankhyam), Resonance
system (Naadam) and Alphabetic system (Aksharam) together configures
Vedaksharam. This can be termed as a numerico-alpahbetic –resonance system or
Sankhyaakshara Naada samyogam.
Their
numerical system or Sankhyam is
progression encoded in the Gayatri system to elucidate the derivations and
explanations in the Vang format follows
the basic principles of conditioning of the intrinsic and extrinsic
environment. The intrinsic environment
includes the physiological, Anatomical
and psychic through systematizing living conditions, routines, food, breathing,
control of emotions and instincts, optimizing the cor ordination and integration
function with respect body functioning and reflexes. This leads to activation
of a systematic way of resonance generation, frequency control by extending the
breath, sourcing off from the abdominal, chest cavity, the lower and upper
palates, teeth, and nasal cavity to Centre of the skull. The second process is the generation of
Biogenetic energy field that transforms the self to a Bio-ionic system, thus
generating an ionic activation of immediate environment. The third Process is
the “Harp”. Harp involves the emission of certain resonance frequencies through
the Bio-ionic system into the atmosphere. These frequencies were developed by
trial and error methods that can create ionic changes that can induce changes
in the environment. The sounds or nada attains a finite structure by these
process, which configures the base of the Vedas which is termed as “Sruti”. The
concept of frequency base of rendering originated from here, which came to be
adopted in the Indian Classical music. Sruti of the Vedas is Brahma Sruti or
Cosmic, which is intermediary of rumblings of thunder, wind, lashing waves of
oceans and rumbling of geophysical layers- to be called the Basic Sound of
Universe.
.
Thus
the attenuated resonances ( Naada) or
segments of sound (dhvani or
Sabda) or attains a definitive structure
that has a plane, ascend, peak squaring plane, decend and landing plane to the same base. Duration of each phase is a sub segment or
upa khanda and upakhandas together configure a segment or a Khanda and
Khandas together make sound or Dhwani. Such
attenuated sounds with its characteristic field effect or energy levels is
called “Mantra”. Therefore, a mantra is “a resonance with a specific energy field
generated through the attenuation of segments of a sound or of an array of
sound frequencies with a gradient of time” Sequences of such frequencies that
generate an energy field within and around its source (the self) accrues a
characteristic form of a radiant light frequency. This radiance produced from
the resonant energy that is termed ‘power of the mantra’ (mantra Sakti).As each
frequency of resonance attains specific field it will have certain impact in
the physical and biotic environmentandmay extent to infinity. Those that extend beyond the immediate environment will act as a system
of “probe” that transgress into any object. This
noninvasive system of probe that emerges from the human system is termed as
“Emitted radiance” or “Vikshepa”. The emitted radiance reflected back and
is by the sender or or more with
identical energy levels are termed as “Akshepa”.
“Akshepa” is visualized form and is concise and is characterized as a Pix cell
or “Bindu” that is central to all “Yantra” and is drawn to a definitive scale.
Yantra is the first graphic format of Information and communication ever
developed by the human beings. It was before the alphabets were shaped. Gyatri
marks the beginning of perfection of the communication system and is the
gateway to unravel the Indian System of Knowledge termed as the Vedas in the
Vang format.
Gayatri
system addressed the long pending requisite for standardizing time. Gayatri
incorporates most intricate system of codification, variables, Samyogams or
integrated functions, fundamental operations and Geo-metric functions altogether
theorized into a convergent form. This
spatial system and its derivations form the basis of the convergent point of
‘O’ or ‘0’ which has the first point of locus resonating “Aa’. Thus Vedas every segment of a sound of the
Vedas configures an intricate code. Functionally these codes are identical to the
codons of the genetic system, thus, theVedas are the genetic endowments of this
universe. In situ, as it uncoils, octamers, base pairs, sequences with
palindromes with a visibility as
octamers, or Ashtakshari. The next stage is affixed in the progression of
Gyatri or Kaushika Progression as in Atre.
2.
GAYATRI
.
Surya Gayatri
the Gayatri Mantra was created bythe great Kaushika who rose to the
tiers of Brahmarishi Rishi ( Sage of Cosmology) Viswamitra who is central to Rig Veda. Kaushika
acquired knowledge through long meditative process of penance or Tapa. He challenged the contemporary schools, most
pertinently that of the Sage Vasishta. A reference on the sequence of events is
reflected in the Brihaschounaka Hora. During the penance for attaining equal
status with Sage Vasishta, Kaushika realized that Vasishta has a Hora
Sastra (Science of Time, Atronomy) to his credit. (Hora is the duration of the
planetary movements with reference to earth, which later on became adopted as
hour in the Latin and English languages as Hour).
Vasishta Schools taught
“Jyotishmati” a great treatise created by Skanda. Skanda Passed on his original
work to Brahma. Brahma taught Daksha who in turn taught his brother
Marichi who was also sage. From Daksha and Marichi other sages, Atri, Vasishta,
Angirass, Pulaha, Pulasthya, Brighu and Kruthu learnt Jyotishmati. Only these
ten Sagesof that time had mastery this great work. It was not learnt by the next
generations as a subject, but was later encoded in Atharva by Sage Yajnavalkya. Kaushika had no knowledge of Skanda Ganita or
the mathematical schemes of Skanda, which involves the basics of
Astronomical Calculations. He studied Jyotishmati with his own interpretations
and application of mind and composed a Hora Sastra. He made every
possible attempt to contradict Vasishta. However, the Schools of
Vasishta ridiculed it as Kaushika Hora.
The long years of conflict with Vasishta and penance of Kaushika
led to the formlation of Gayatri. Vasishta himself met Kaushika and
acknowledged this great work and Kaushika was given the title of
Viswamitra. The title of Viswamitra can be interpreted as VISWA- (UNIVERSE) -
MITRA- (BINDING FORCES of ATTRACTION) - as one who can perceive the entire
universe without a winkle of the eyes. Or else, as the one who scaled the
Universe- VISWAM (UNIVERSE)–ITRA. (MEASURE).
2.
UNDERSTANDING GAYATRI-
Kaushika attained the status of a Rishi Viswamitra after he had elucidated
equations and theories into a schematised Mantra. Towards achieving this
this, derivations of astronomical values were important. Time had to be
integrated with that of the position of
the Constellations. Time he calculated as a measure of the interdependent
integers of the positions of other galaxies and the core of the universe and
equated with sun at the centre. Gayatri,
thus was contrary to the notions and treatises of his predecessors including
Skanda.
The priciples or Tat-va
to understand a Mantra involves
complex process and applications of different schemes. The right to decode such
derivations and find its functional applications was vested with specific
schools that came to be known after its proponent- a system of patented right of
information dissemination.
Gayatri attained stature of a basic mantra
and was let out in the public domain to worship the Sun, with the meaning more
or less like: - ‘we meditate on the glory of the Creator; who is worthy of
Worship, Who is the source of knowledge, who is the bright light, May he
illuminate our intellect. ‘
Kaushika
identified fifteen plosive sounds and annealed it through a process of
annealing to generate radiant probe system of Vikshepa and Akshepa. This
radiant energy was further activated to achieve the transgression of perceptive
senses into the depths of universe. Gayatri
comprises of fifteen elementary variables
(1)
Bha, (2) Ga, (3) Da, (4) Dha, (5) Ta, (6) Va, (7) Sa, (8) Ya, (9)
Rr’ (10) Ha, (11) Ma, (12) Na, (13) N’na, (14) Pa and (15) Cha.
.Choice
of 15 sounds is significant in relation to the rotation of the Earth , thus
defining one diurnal cycle in 238 Bhur.( 23.8 hours approximated to 24 hrs.)
4. Understanding Gayatri
The
schematic process for unravelling Gayatri and its derivations embedded witin Gayatri itself. Ga Ya tri.
Endorses tri or 3 .. the sequential
order. Numerals 1, 2, 3 is a value that is centric.
1+2+3
= 6
1x2x3
= 6
Gayatri
attained stature of an elementary mantra in praise of Sun
or therein with the meaning more or less like: - ‘we meditate on
the glory of the Creator; who is worthy of Worship, Who is the source of
knowledge, who is the bright light, May he illuminate our intellect. ‘Gayatri
is encoded in the 3rd Mandala or book of Rig Veda.
1. BHUR BHUVA SVA
|
Letter
|
Numerical Value
|
Ascribed Value
|
|
BHURBHUVA SWA
|
|
|
|
BHA
|
24
|
|
|
RA
|
40
|
|
|
BHA
|
24
|
|
|
SA/
|
90
|
|
|
VA
|
60
|
238
|
SVA is not an
expression complete with a finitude, it is indicative that total value is not a
perfect number, therefore the last digit can be considered as a fraction. So
the total value stands 23.8. BHU Units approximated to 24 units
BHU= 24
Bhu . UR- :: Bhu.VA::
s.Va
Bhu- ur =
horizontal plane = Bha/ R = 24/40 =
0.6
Bhu
= Bh’ OO = . 103 x0 . 6 = 60 . i.e. 24
units of Bhu,
One BHUR = 60 UR
One UR = one VA
Va = 60
1 BHUR =
one UR x One VA = URVA = 60x60 = 3600 and hence the unit of one BHUR is
URVA , and the earth is given the URVI based on this unit value.
SVA. Sva has half of
Sa with Va, pronounced to give the first half of each of the
ascribed values , that is devoid of their zero. To say S’ = 9
and half the value of the following letter V’ 6 being
not a finite word or (poornam as swara) zero values are be omitted. i.e=
9x 3 = 27 Bhu = One Sva =
This Yoga or cycle of
S’ Va = has been coined to give the name Savi to the Sun
One
unit cycle of the earth to round the sun is 27 Bhu .based on this Nabha Samyoga
and Nava Samyoga calculations that appear in the other Hora Sastras.
SVA samyoga or Sum is 9 +3 = 12
BH ur SVA = 24 i.e 24/ 12 = 2
12 + 12 UR = 1BHUR
12 BHUR
is Savi or time earth is exposed
to sun in the order 3 BHUR transition from night to day and 9 BHUR as the
direct exposure to sun.
Therefore, i
BHUR BHUVA SWA= 238
units, Unit of a cycle of earth= I BHUVA (DAY)
Rounded into (9+3) +
(9+3) = 12+ 12 units = 24 BHUR
i.e., 1 BHUVA = 24
BHUR ( Hora or Hour)
1VA
= 60 equivalent to the Seconds
60VA= 1 UR equivalent
to Minute
60 UR = 1 BHUR
equivalent to Hour
Transitory period
from day to night and night to day = 3+ 3 = 6hrs
Effective day light =
9hrs and effective night =9 hrs.
2. TAT -
SAVITURVARENYAM (ORBITORY CYCLE AROUND SUN)
From the previous
Vyahriti, Sun is ascribed the name SAVI and Earth URVI.
URVA + VARENYAM = URVI VARENYAM= TAT scheme. Saviturvarenyam
implies that earth varenyam's or encircles the sun, defining the shape to that
of a garland which is elliptical.
|
SA
|
90
|
|
|
VA
|
60
|
|
|
TA
|
16
|
|
|
RA
|
40
|
|
|
VA
|
60
|
|
|
RA
|
40
|
|
|
NNA
|
15
|
|
|
YA
|
30
|
|
|
MA
|
25
|
|
|
|
|
366
|
Number of days
required for Orbiting the Sun is divided along Nine Periods or Mah as per TAT
system the number of days is calculated to be 366 days. TAT is ‘
TRIGUNITHA SAMYOGAM”. As indicated in the previous code it has application of
Nava Samyoga ( cumulation of 9) and in the present code it is Triguna Samyoga (
cumulate of 3).Trigunam or Constant values of 3 are with Akriti or
feature(20) Sankhya or numerical (7) and Aasraya or dependent number(3).By all
means , TAT is a Samyoga or Cumulative function.
The Mah or
month is divided into 9 periods totaling 366 days as one savi-tur i.e.,
duration of one revolution around the sun. These periods do not identical
number of days to 30 31 and 28 as in today’s calendar. Viswamitra system,
defines the shortest period to be of 15 days and longest period with 90 days,
only one period of 30 days and one period of 16 and one period of 15 days,
indicates a behavioral change in the generalized lunar cycle of 14 days.
CALCULATION OF
the lunar cycle is given as NNYA-AM. (2+5) =7
NNYa ( ½ of NNA
i.e. NN’ 8/2 = 4 added to Ya ( value of Ya without
zero) =3, i.e., 4+3 = 7 and AM ( MA = 25) = 2+5= 7 , 7+7 = 14 days
is half lunar cycle or full moon to new moon is 14 days and full moon to
full moon is 28 days the calendar on full moon day reads 0.
Total numerical value
of Varenyam independently totals to 27, gives the basis for the astronomical
calendar of 27 days.
3. BHARGO DEVASYA DHI MAHIM
In
a four year period, there is a variation of 24 hrs or one day, which he has
elucidated through an elaborate method of splitting the days into 8 periods and
deriving a variation of 24 hrs and thus arriving at a conclusion that a year has
only 365 days. And in 4 years it will be adjusted to 366 days.
3.
DHI YOYO NA PRACHODAYAT
DHI elucidates 9
periods. These 9 periods termed as Mahi, or Months. The variations correspond
to values as per the system of Yoyo. YO defines the distance between the sun
and the earth while earth orbits round the sun.
And is given as Ga
ya. Tri.
GA. YA TRI ( G’a+ aT’ + R’a) ee
By the Scheme of
Dhi
G’a x Y’a x Ta
x R’a x EE
( 3x 30
x 16 x 40) = 57600 x 102 =
5760000 x G’ Y’ TA R’a e
Atre - the number of times as the
total value of the same numbers Gayatri
(atre) elucidates a progression of affixing the numerical values of resonaces (
nada or Sound).
|
0
|
1
(1+0)
Aa
|
2
(1+1)
E
|
3
(1+2)
Uu
|
4
(1+3)
Rru
|
5
(1+4)
Ilu
|
6
(1+5)
Ei
|
7
(1+6)
I
|
8
(1+7)
Au
|
9
(1+8)
Am
|
|
9
|
10
|
11
Ta
|
12
Ga
|
13
|
14
|
15
NnA
|
16
TA
|
17
|
18
Da
|
|
2(9)
|
19
Dha
|
20
|
21
Pa
|
22
|
23
|
24
BHA
|
25
MA
|
26
|
27
|
|
3(9)
|
28
|
29
|
30
Ya
|
31
|
32
|
33
|
34
|
35
|
36
|
|
4(9)
|
37
|
38
|
39
|
40
RA
|
41
|
42
|
43
|
44
|
45
|
|
5(9)
|
46
|
47
|
48
|
49
|
50
|
51
|
52
|
53
|
54
|
|
6(9)
|
55
|
56
|
57
|
58
|
59
|
60
VA
|
61
|
62
|
63
|
|
7(9)
|
64
|
65
|
66
|
67
|
68
|
69
|
70
|
71
|
72
|
|
8(9)
|
73
|
74
|
75
|
76
|
77
|
78
|
79
|
80
|
81
|
|
9(9)
|
82
|
83
|
84
|
85
|
86
|
87
|
88
|
89
|
90
SA
|
|
9(10)
|
91
|
92
|
93
|
94
|
95
|
96
|
97
|
98
|
99
|
|
11(9)
|
100
Ha
|
101
|
102
|
103
|
104
|
105
|
106
|
107
|
108
|
Kaushika progression:
Numerical values of sounds in the order of values beyond eight. All sounds do
not have representative alphabets, can only be represented through numerical
positioning. Numerical position and
value s together with an alphabet render an expression that may be a word or a
sentence or more in volumes. This system of progression innovated by Kaushika. Madhu Chchanda is a complementary system to
Gayatri
Ga=3+ y’= 3+ t’=16+ r’ =4 , total 26
5760000 x (3 +3+16+4) = 5760000 x 26 =
14976,0,000 YO as the distance between the earth and the sun.
Viswamitra expounded his theories in Gayatri .that
can be summarized as:-
Theory 1.
Rotation of the earth
accounts for the day and nights. Earth completes one cycle in
twenty four hours, 12 hours day and night, 60 seconds make one minute, 60
minutes make one hour and 24 hours make one day.
Theory 2.
“Prachodaya or
Prachir Udaya”. Rotation of the earth accounts for the appearance of
the Sun as rising in the east,
Theory 3 .
“Saviturvarenyam” or
revolution of the earth around the Sun accounts for nine periods or Mahim
or months.
Theory 4.
Orbital path of the
earth around the Sun is Oval or elliptical
Theory 5.
Rotation and
revolution and the distance factor with the Sun and Moon and the cycles
all together accounts for the Gravitational force .
Theory 6.
Gravitational force is the reason for weight.
Theory 7:
At the end of every three years, one day
accumulates that gets added to the 4th year and that is Leap year.
Theory 8.
One unit of Gayatri, YO, the distance between
the sun and the earth is calculated near to perfection, may be correct on
approximation at that point of time.
Gayatri denotes One Astronomical Unit as the distance between Sun
and the earth as 14976,0,000 YO
This
understanding of time led to the codification of the Knowledge systems into a
classified format. The question on the origin of the Vedic system is beyond
comprehension, as the Veda were in
existence prior to the Kruta yug. Vedas
are beyond what it is understood, as explained in Hayagrivopanishad in Atharva
Veda. Hayagrivopanishad throws light on Hayagriva restoring the Vedas to
Brahma. Hayagriva is represented with
the face of horse an incarnation of Vishnu and the interlink here is of Goddess
Sraswati , the mother of Vani ( sound)
and Letters (Akshara).
After
the Vedas were stolen, the realization that Knowledge cannot be concealed. Under the patronage of Hayagriva, the four
Rishis Brahma and Surya, Atri and Bhargava, systematized the Vedas based on the Schemes of Gayatri,
Anushtupa and Trvashtupa. Gayatri system
was retained by Brahma and Surya, Anushtupa
was with Atri and Trvashtupa was
vested with Bhargava.Gayatri continued to be format of the basic template
and deal with higher orders of Knowledge system that is not for the consumption
of the general public and other categories of scholars.
Anushtupa was configured for the purposes of Anushtana or systematic living and rituals,
for the societal welfare (Praja
palanam) and Purohitam ( welfare of the
city state) it is meant for different tiers of the society including ruling
class.
Thrvashtupa
stream contained the foundations for public utility meant for Public, based on
the division of labour.
Anushtupa
gave birth to Tantra and mantra systems and upa vedas of Ayurveda and Gandharva veda Samhitas or Parenthesis and
Teratises . Trvastupa created branches of Stapathya or Archetecture,
Dhanurvedam . Respective schools developed Sidhantas and Upanishads,
Ithihasa(history) and Purana ( epics) for diversification of their respective
branches. Vedic finally landed in the hands of
V who created a yasa leaving written form of the Anushtana Veda under
three branches of Rig, Sama and Yajur and later Atharva was compiled by
Yajnavalkia . Vyasa created Brahminical schools and Gyatri was made the basic foundation of
Brahminzation. Initiation to Braminism is by imparting the key mantra of
Gayatri to open up the Upanayanam and giving the Holy thread of Yajnopavaeetam
or Janayu. Yajnopaveetham is the symbolism of the genome or the basic
information system of the Vedas, to which one gets entitled to accrue there
on.
Gayatri
is the basic foundation to open up the vast space of the Vedas. Turn of events and geo political transitions
led to situations whereby Gayatri turned out be a Mantra for the invocation and
observance for the Sun God. Underlying Schemes to transcribe the Vedas to the
diversified branches of knowledge lost. Some schools like Kapila to Valmiki and
Agasthya propagated the Sankhyam-the numerical and Ganita systems, Bhargava and
Bharadvaja schools worked on the Dhanurveda and worked out up to Vimana Sastra
or Avionics. After the extermination Tvashtr, Viswakarma school further
developed the system of Sthapatya Veda including metallurgy and architecture.
Kapila, Gautama, Valmiki and Agastya schools developed Ganita and Astronomy,
Asvini and Dhanvantari, chyavana and Agastya
schools developed Ayurveda the rest of all the schools remained purely
ritualistic. Dhanurvedam that imparted skill, management, administration and
defense eventually was lost with the end of the Prajapatis or the centralized
rule of the Indian continent.
The
new generation witnessed the convergence at Naimisharanya with the Sage Suka
there upon the emergence of Samskrutam format takes it origin and becomes
popular as the Brahminical Schools and reaches its pinnacle with Paanini and
Pathanjali. The linguistic schools created the schools of logic and gave birth
to the literary and performing art forms. Without patronage, the Primary Vedic
Schools suffered setback.
Understanding
Gayatri Scheme is the way to get back to the Vedas as it was drawn. Gayatri
Scheme was a means to have the basic format secure and protected to be free
from misappropriation.
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