GAYATRI TO VEDAKSHARAM AND AGNEYAM

VEDAKSHARAM ( Since all the earlier Publishings frpom 2011 have become corruped in teh blog, all available litereature is included here.) A mantra or hymn is an “energy field generated through resonance of definitive sound frequencies produced within a definitive constellation period” This constellation period is the defined time. Any sequence of such sound frequencies that generates an energy field within and around oneself is in the form of a radiant light frequency, can be characterized as a hymn that can be a single sound or a word or a verse. This self-radiant energy field serves as the “Probe” to intercept, explore and analyze the systems. Therefore, the knowledge is in the wave formations of light. The radiant probe that emerges from the human system or the Emitter can be termed as the “ Emitted radiance”. The Emitted Radiance intercepts or probes the space that may or may not include matter and is reflected back to the emitter as the “Radiant Information Signals”. The Radiant Information Signals are Processed and interpreted in the form of Sound – in a language format. A large volume of such Information can be precisely concise –as a single point( bindu). A single resonance can serve as a compressed information base or the “bi ionic signal”. Therefore, this key information point will serve as the template for further deciphering of the voluminous data. Radiance to resonance is the principle of to realize Vedaksharam. To understand and assimilate Vedas, “Radiance to Resonance” is the applied methodology. Otherwise, it will be samskrutam verses of Academic and religious pursuits. Gayatri is the Scheme for this resonance, that conforms to the central point (Bindu) and is in conformity with the axis of the radiance system and the receptor systems. It is pertinent to mark that the chosen letter to begin the Vedas is “Aa’” with the base note in the scale of Gayatri. When a sound is heard and perceived, there is a perfection and precision in the way it is spelled out or resonated. Whereas, the same when written, it gives enormous freedom to read as one desire. Intonations, modulations, and all nuances will invariably differ from person to person, or to the same person, depending upon the time and mindset. In order to have a restriction on this freedom, it was important that the Rishis or Seers found a technology of drawing the knowledge bases into a systematic process. Thus, based on the Technological frame work of Gayatri, Vedas were drawn. Drawing and writing are different processes. Drawing is with precision and is a graphic representation , in which every point of the loci of what we call a ‘Font’ or ‘letter’ has a relevance in its in expression, codifying and is a structured entity and not a slowly evolved one . There were scriptures even before The Vedas were written, that was ‘Pra-kriti’ individual creations for specific purpose derived from natural formations in nature and the sounds that they produce. When it matters to Vedas, the question of how precisely a systematized streams of knowledge could be made as symbols concise with precision, together with other systems of knowledge was the basic consideration. This necessitated an intricate system that search went on for ages. The most effective and universally acceptable system of codification in an encrypted form was developed by Kaushika, based on his scale of Gayatri. This system addressed the long pending requisite for standardizing time in three ways. Diurnal, periodic and in synchronization with the constellations. Gayatri incorporates most intricate form of codification, variable functions, vectors , scalars, Samyogams or integrated functions, fundamental operations, Geo-metric functions, theorizing , in a convergent form. Vedas are not a system that sciences or knowledge diverges from it or originates from it. Every Font drawn in a Veda is a Point or Bindu of zero degrees with a definitive angle, that arcs off to incorporate radiant triangles as poly cube. Every Font thus is a space of its own. This forms the foundations of Indian systems, which primarily explored on the question of space and not that of matter. The question of how space originated had to be answered, then only the question of matter in which it contains had to be addressed. Particulate structures are comparatively simpler and existent forms, where as space was a non definable entity, that is the precursor or progenitor of matter. This necessitated the devising of a technology which can withhold space within its functional imperatives. To bring out the theories and explanations, derivations and the entire volumes of Space Sciences, could have been the declared task of Indian Space Research Organization and Indian Physical Research laboratories. However, it has not so far happened. This spatial system and its derivations form the basis of the convergent point of ‘ O’ or ‘0’ which is has the first point of locus resonating “Aa’. With this theorization and codification integrated in Gayatri, the Aksharams or Letters or fonts were drawn in space with cosmic radiance, a technology which is achievable only to a Brahmarishi and can be perceived only by a Brahmarishi. Gayatri was first drawn or created by Kaushika , that led Vasishta to give him the title of Viswa-m-itra and attained the status of Brahmarishi. This creation of the script in the space implies that, the knowledge base will never be wiped off from the universe, even if human race and the earth and the Milky Way perish. Some where it will be perceived by some form of life, and the Vedas will be reborn. This is the principle of eternity and continuity of knowledge. To say, Vedas are not written in any language, it is an intricate code, like the chromosomes in the body.Vedas are the genetic endowments of this universe. In situ, as it uncoils, octamerics, base pairs, sequences with symmetries from bilateral to palindromes and the like will become visible. The peripheral meanings of words as a hymn, as defined by Gayatri, is used to scribe the precedent and later scriptures, that eventually came to stylized scientific form of language- the Sanskrit. Based on which the Vedas were interpreted and the sciences died a Natural Death. Veda should never be said to be written in a language. Vedas are not written, but are drawn. Its letters are in streaks of radiant metallic texture and are not of golden colour. 1. A_K’SH”ARA KHANDAM (Segmentation) Every letter is derived in ‘Khanda” or regular segments. Segments are functional attributes, No letter is perfectly having its own ovation. Every letter is expressed through carriers of other sounds, that is represented by an ‘Upa Khanda’ or sub segment. Sub segments imply the functional imperatives and operational applications and the derivatives in conjecture to the other UpaKhanda, with intonation and the nuances therein produces the equations, processes and the implications therein , to give rise to a defined sound. The letter is drawn to a scale. Which may have a disha bodha or direction . This is the key to operationalise the processes or the function and to derive the values there in. The positional application of a letter is predetermined through this scheme. Every letter is rendered with a symmetry, linear, vertical or horizontal . Every letter, thus, is a solid multidimensional poly cube, representing a phenomenon, processes, applications or their extensions, expressed through its sub-segments, segments and in totality as expressed along with its carrier sounds of prefixes and suffixes of the letters or precursors. 2. PRECURSORS or ‘SROUDHARA” “Sr-a O- UDHARA’ – sequential flow of resonances SHRA –O that have created visible forms are’ UDHARA” or projected to give rise to the base from which a Font is drawn is called it precursor. Every letter has a precursor in a different form that has no structural conformity with the finally drawn form. Precursor of the letter, symbolizes the characteristics and functional properties in a derived word that forms the key resonation or Dhwani. Dhwani is the basis that is SRA- Heard and UDHARA Projected. Dhara means earth and adhara means lips, Srao means hearing or heard. Sra – also means effort, udhara means taken out from, dhara means sequential flow. Sa – soonya – from infinity, undivided infinity to infinite variety . In the depths of eternal silence, the shearing sounds of radiations were like thunder. An impatient wait of ages, to get hold of the moment that the rumbles of the universe is muted and the base reverberations could be heard. This base has the characteristics of the sum total of all traversing sounds since origin of space. This explores the cosmic design, that has synchronous existence with the elements of the universe. What is left today could be perceived even after several millions of years. It is in the space. It grows in the space. It has no time and is irrespective of matter. The question of space and orign of space were the need to be answered. Space is the key. Matter can be created, but to learn the process of creating space became the basis of our knowledge system. Letters are the mechanized systems or Yantras that conform to the creation of space. This needs to understand the reasons for the stability to the planets and their systems and the entire universe. Extending the atmosphere and creating space on one hand and creating a corresponding space in the outer realms of the universe where, the particles are created and radiated to gain momentum, that formslarger particulate structures constitutes another fine layer of our knowledge base. . The central core of space that forms the primordial point or “Beeja Bindu” from where radiant energy originates and diverges is the “Brhama Mukhan” or cosmic face. It is here that ‘SROUDHARA’ took its form and shape, and is perceived. This is the process of traversing in reverse time scale. The instantaneous process of traversing in a reverse time scale where “ONE” “ Aa” (1)gets raised to the value of “0”(1)0and “ 0 “ is raised to the Value of Infinity, whereby, these three values attain a varying positional function and at the same time integrates to attain the same value of the infinite. This infinite and “0” disseminate to the value of “ one” that is where the space is created. It has a velocity equivalent the particle to traverse zeroing down the time to nil (0) to complete one cycle and infinite gets raised to the stature of pre-existent entity, thus constituting the “SROUDHARA ‘ or the precursor. Precursor, thus formed as the resultant derivation of a functional attribute of the spatial function, could be drawn thus with its base reverb or resonance, in the space, to be the carriers of Akshara Khanda. Each Akshara Khanda symbolizes the space within the space to produce a structural conformation of a mechanized system or Yantra, that inscribes within the internal space the entire gamut of the technologies, derivations, terminologies, calculations, operations and functions. Integrated function of these spatial mechanisms constitutes a Vedic letter or Vedaksharam. 3. AKSHARA BANDHA or BINDING OF LETTERS The task of binding letters to its positions to test give the right meaning and at the same time encoding the technological, operational and functional aspects with definitive categorization was the greatest crafting ever done with precision and accuracy. A Letter or Akshara is sequentially bound Bindu or or pixel of digital information that, without inter-phases. It involves two phases (1) sequencing of the sub segments of a letter into segments and then interlinking the sub-segments into a segment or ‘Dhat’ or “unitary” information which is independent in itself and ( 2) spacing or positioning the ‘Dhat’ into two letter word or “Binary” information system to produce larger information databases or word. . The remaining letters are used only to extent the scope, expanse or to indicate the functional and its variables to create a “module” or ‘ Mantra”. One Module is a sequence of ‘Dhat’ to produce a desired information database, which elaborates an application or technology. Thus the Bindu is the convergence of digital information data bases to give rise to Dhat and Mantra, where as Dhat itself can be a mantra within itself called Ekakshari mantra or single letter hymn. A letter when drawn with all its expanse of the “Bindu” give rise to a structure or Yantra, that can be correlated to a ‘ SUPER MEGA CHIP” with its composite structure of circuitry frame work that operates with the BIIONIC ENERGY or “TVASHTA” This forms the Basis of “GAYATRI” as the key to the Vedas Beginning with Rig Veda. Yantras function with the Biionic energy. Biionic energy can be attained through years of practice that includes multifarious knowledge, systematizing the mind and experiences of life that the self draws to gather energy and gets synchronized with the cosmic systems. 4. SAKHYA_AKSHARA_ NADA SAMYOGAM Sankhya( numerical Values) Akshara ( letters or Alphabets) were used in the same manner by the Rishis who reach a certain level. Whether it is Atre, Skandha , Vasishta or Kaushika, or Gautama, they had an astounding knowledge of calculations. Oral tradition underlies in the visualisation of what is being heard and to hear (transcribing to verse) what is being seen. This gives an inherent capability to sketch complicated structures of numerous dimensions in the space. What is seen in mind is in space. The visionaries of that lineage hadidentical abilities and they could restructure what is heard in the same colours and dimensions, shape and structure as it is rendered by the other. It can be said to be a Frame by Frame memory in a sequential order. This was the need to retain the values from not being lost or misused. This accounted for the creation of specific communities to perform specific functions in the society. The practical application that concerns the welfare of a state through such knowledge was imparted to a specific class who later on diversified to be called Brahmans, who were confined to a pilot plant of the processes that were developed, that have positive impact in the environment. At times these were demonstrative rituals from time to time. The capability to converse in numerical forms and to have numerical way to interpret that ‘what is being said’ was the height of ‘Knowledge and Intellect’ of the specific class of Rishis who attained Brahma Padam or position to be called Brahmarishis. Other Rishis had to learn from them and it was at the discretion of Brhmarishis what to be imparted to them. This is how the Vedas were drawn in space. Sankhya or numerical in definitive schemes explains what it implies. Numerical operations form the Upa Khandam, Khandam , Aksharam and Akshara Bandham to give the exact form of the Sound –the Nada or of the or word in the Vang format. Rig Veda begins with Madhu ch’chanda. Madhuchanda is a coded form, based on the Gayatri Scheme of Vaiswamitra and is “VyaSa NaBhaSa Vangka Ga Jangkha Gacha Cha Yanja Cha JaDanga KhaDanga Ta Tt’aka KhaGa Ga‘nNa NanDa Gacha Cha” And “VaRa JaLa GkhaRa Ga Kha Dtha Sa- JaShaJa Sa cha’Cha Ta” There need not be any doubt that Vyasa heard the Vang .. Words. And the place is in the Himalayas Jangkha .. Vyasa Nabhasa Vang Ka= of Prajapati, Daksha or Brahma Ga = indicative of Gala sthaana( throat), coming from Kha = sky , or space Gacha= family, tree or in progression Cha = to me invoking the Vedas Yanja = Yajna Cha to me Yanjna Cha= symbolising Yanjopaveetam , or the sacred chord. Jadanga = whatever existed prior to this , before this, SANKHYA_AKSHARA_ NADA SAMYOGAM 5. UNITARY SYSTEM Numerical system of codifying essentially underlies in the standardisation of a format of affixing the values and positioning them in a uniform format. Such a system would have values in a linear system. This was a major transition in aligning knowledge bases. Ascending, descending or diagonal patterns have equal placements in a positional system. This tabulation system of numerical values equates a number in its systematic position and orientation. This framework permeated further schematisation and to have a format for clarity of understanding among the elite group of BrahmaRishis. Kaushika developed various schemes of codifying that forms one of the systems in drawing the Vedas into uniform format. SankyaaksharaSamyogam has different formats where one format is not identical to the other and these formats are to be applied in consonance with the schemes interspersed as and where it is. Sankyaakshara Samyogam is with numbers 1 to 8 in one scheme that gives an octave form. The systems above the numerical value of eight (8) have the base value of nine (9). Therefore, the numerical or sankhya with nine as the prime reference value or base gives the functional values in the next sequences. Zero has positional value with prefix numbers. From . 9 to 11 makes one sequence, 11 to 23 makes the next sequence, till the values of 10800 the progression is defined. 1, 2, 3, 4, 5 , 6, 7, 8 0 1 (1+0) 2 (1+1) 3 (1+2) 4 (1+3) 5 (1+4) 6 (1+5) 7 (1+6) 8 (1+7) 9 (1+8) 9 10 11 12 13 14 15 16 17 18 2(9) 19 20 21 22 23 24 25 26 27 3(9) 28 29 30 31 32 33 34 35 36 4(9) 37 38 39 40 41 42 43 44 45 5(9) 46 47 48 49 50 51 52 53 54 6(9) 55 56 57 58 59 60 61 62 63 7(9) 64 65 66 67 68 69 70 71 72 8(9) 73 74 75 76 77 78 79 80 81 9(9) 82 83 84 85 86 87 88 89 90 9(10) 91 92 93 94 95 96 97 98 99 11(9) 100 101 102 103 104 105 106 107 108 Positional value 1& 0 and one with other numbers up to eight prefixes nine and zero is confined to operational value with one, to give rise to module. Binary system is an integrated function 0 and one in the primary module. Kaushika or Vaiswamitra schemes have this modular base in transcribing the “Sroudhara”, that underlies Sankhya Samyogam. The applications encoded as positioned according to numerical values and positions. Vedas are not in continuity, what is laid in a line itself will be parts of a process or theory or a phenomenon that is laid in a format. Reading together can only be translated and with no perfect clarity of meanings to many syllables in vivo . Vedas have a matrix of its own in which are interspersed the jnana samuchacyam or the structural conformations of Knowledge. The entire structure is of that of an architectural marvel, to see it in totality or to understand the structure one has to have drawings at the micro level, then have the foundation unearthed. The surface coatings will be removed and has to be dismantled down to the foundation stones. Then the foundation stones are to be laid in order. When it is re-laid and rebuilt only the structure can be fully understood. Yet there are certain intricacies in the structure that the architects have laid. They have made certain interlinking formations that if one part is dismantled some other parts will collapse. So the internal structuring prohibits cloning or copying the same structure as it is. MADHUCHANDA AND GAYATRI MadhuChanda along with Gayatri stands out as markers to the opening of Rig Veda. Madhuchanda have been explained in different ways by different commentators and exponents of Vedas. It still remains a question what Madhu Chanda and Gayatri can provide in understanding the complexities of the encrypted and compressed knowledge systems, which otherwise is firmly confound to be Samskrutam. The Sankyaakshara Nada Samyogam of Madhuchanda and Gayatri therefore has to be explored and worked , to get meaningful derivations and further opening up of the information content. POSITIONAL VALUE OF NUMERICAL ATTRIBUTES In affixing the value Ka to Ma is of consecutive values from one to twenty five ( 1 to 25) Ya to Ha with addition of 10 each letter( Ya 30, Ra 40, La 50, Va 60, Sa 70, Sha 80, Sa i 90, Ha 100…) Madhuchanda follows the Schemes of Gayatri as ‘that which is it is as it is is to that to it is asto it as it to it is = Tat and that it to it and to it to it is = Dhi. MADHUCHANDA Ma= 24 DHa = 4 CHA= 6 ch’CHA=7 NA=20 Da = 18 Upa Khandam 1 (6,x,7) +(20x18) = 4,2 + 360 i.e., 6+ 360= 366 = 3+6+6 = 15 = 1+5 (40 +2)+ 3+ (6+6) = (1 +6) Upakhandam 2 rRa+Kha + Ga+(Cha+ Cha) = Ka + Cha Upakhandam 1 40= 8 x5 JA x.ng = Jangkha GaCha Cha + 366 366= 30x10 +6 = Ya+Nja + Cha Ja ng KhaGa Cha Cha Yanja Cha Khandam 1 28 = 4x7 14x2 AKSHARABANDHAM 1 (2+8+3+15) = KhaGa Ga N’na +(13+15) N’na D’a +(16+ 11+1) = Ta T’ta Ka +( 8+3+16+1) = Ja Ga Ta Ka + (3+19+6) = Ga Dd’tHA Cha + (2+5+13 +1) = Kha nG Da Ka +(8+13+5+2) = Ja Da Ng Kha +( Ja Da Nga -Kha Dang Ka Ta T’ta Ka JaGa TaKa KhaG Ga N’na Nn’Da GA D’tha Cha Khandam 2 2 3 8 15 13 15 16 11 1 83 16 1 3 19 6 2 5 13 1 8 13 5 2 3 30 40 Khandam 3 (6,x,7) +(20x18) = 4,2 + 360 i.e., 6+ 360= 366 = 3+6+6 = 15 = 1+5 (40 +2)+ 3+ (6+6) = (1 +6) 402 AKSHARABANDHAM 2 (30 + 60 +90 ) (20+ 24+70+ 60)+(3+10+ 1) (Ya Va Sa) ( Na Bha S’s’a Va ’Ng Ka Ga VyaSa Nabha savaNgka Ga SANKYAKSHARA SAMYOGAM.1 “Vyasa nabhasa Vangka Ga Jangkha Gacha Cha Yanja Cha Jadanga Khadanga tattaka Khaga Gana Nanda Gacha Cha” 7. BINARY SYSTEM Upakhandam 1 24 4 6 7 18 2X4x6x7x18 = 60 48 Khandam 1 60 48 = 18 = 1+8 = 9 Khandam 2 60 48 x 9 = 54 43 2 Khandam 3 54 43 2= 972 = 18 = 1+8 = 9 Khandam 4 54 43 2 x 9 = 18 98 88 = 9 7 16 = 42 = 6 AKSHARA BANDHAM 1 60 48 = 60 + 40+8 = Va Ra Ja AKSHARA KHANDAM 2 54 43 2 = 50+4 + 40+3+ 2 = La GKha RaGa Kha AKSHARA KHANDAM 3 19 98 88 = 19+90+8 + 80+ 8 = DTha Sa Ja Sha Ja AKSHARAKHANDAM 4 97 16 = 90+7+16 = Sa Ch’cha Ta AKSHARASAMYOGAM = Va Ra Jala GkhaRa Ga Kha Dtha SajaShaJa Sa Cha’cha Ta 60 48 60+ 54 43 2 + 19 98 88 + 9716 = 7 6 8 8 9 6 = Ch’cha Cha Ja Ja Jcha Cha 8. BINARY CODE Binary CODE = 27 00 84 Binary Value or the number of codes used in Rig Veda 9 00 x 12 = 108 00 10800 i s the total number of verses in Rig Veda and the number of bricks used in the Yaga. 1 2 3 4 5 6 7 8 9 9 (12) 109 110 111 112 113 114 115 116 117 9(19) 172 173 174 175 176 177 178 179 180 9(36) 325 326 327 328 329 330 331 332 333 9(332) 2989 2990 2991 2992 2993 2994 2995 2996 2997 9(333) 2998 2999 3000 Therefore, by the scheme of Madhuchanda, 3000 = 9x 333 + 3 9. OTHER DIMENSIONS The processes codes and the Technologies are not decoded here. Each has a separate formation of Upa Khanda , Khanda, Nadasmayogam and Sankyaakshara Samyogam. Vedas are not written; it is Vang and is not in samskrutam. Samskrutam is the decoded Akshara samuchayam (integrated structure) through a schematic pattern with numerical attributes. AKSHARAM in its complete form is drawn with an axis. AKSHA = AXIS AKSHEPA= DRAWING TOGETEHER, SIGN AND GESTURES WITH HAND AKSHA= perception AKS’ARAM=indestructible Ram= a territory or designated area of ordered societies under a ruleror a part of territory. AKSHA –RAM= Axis of a Ram, main integrating core of a territory. So every Ram, or Pura or Puram has an axial system of communication or system Aksha perceptions that inculcates Akshepa. The processes codes and the Technologies are not decoded here. Each has a separate formation of Upakhanda , khanda, nadasmayoga, sankhyakshara samyoga. Vedas are not written, it is Vang and is not in samskrutam. Samskrutam is the decoded Akshara samuchayam through a schematic pattern with numerical attributes. Veda as shroudhari following the GAYATRI TIME SCALE IS VA= 60 DA = 18 WHEN Aa Dhwani changes to Ei Ve = 60x 1010 x 18= 108 x 1010 Matra gives the exponential Value and at the same time when collectively taken as a function as per the scheme of gayatri , as itextends to give rise to templates. Function of Matras or slangs that interlinks the vedaksharam renders it the features of a language format. This language format is understood to be samskrutam. Here the pertinent question is whether the alphabets used in the modern day scriptures of Vedas are the same as it was originally drawn? The answer is a big NO. Vedas took its origin much before the modern time alphabets of samskrutam came into being, this was much before the origin of protoSemitic languages or Brahmi or Devanagari Scripts. This also explains why Vedas continued as Vang, as the scripts were the intellectual property confined within a core group of elite seers. They concealed and close guarded the script form, as the knowledge was to be imparted to only those who had certain predetermined qualities. This necessitated the developments of commentaries, treatises and annotations. These versions that appeared in the later stages was for the reference of the ruling class or the nobles or for the classes of working groups. This period of commentaries continued for long years and even today it continues. Most of the commentators were such brilliant scholars that they could develop the language format with wider vocabularies and derivations. This led to the question of what came before. These commentaries and annotations and treatises paved way for creating basic faculties among a large segment of the masses, to have a structured faculty to understand the Vedas with their specific objectives. Thus a single volume came to be truncated in three planes based on the faculties that were developed. This led to the triparna salas that became the schools of Vedic learning. Triparna salas later on came to be known as parnasalas. Yanjavakya added one more part the Atharva with his commentary that forms the Brahadaranyakam on the first part. He incorporated elements from three vedas as it meant by its positional application in the other two Parnas of Yajur and Sama. He also incorporated other works like Skanda ganita and jyotishmati in his Veda Atharva. With Panini, sabda akhyas and grammar, Vedic syllables became sanscritised and became limited to the ritualistic domain and linguistic frame work . Dimensions of Vedaksharam came to use in the numerical system of Astronomical Sciences or Hora Sastras. Other than its physical base of existence , Vedaksharam has Thirty two dimensions or implications thus making it thirty three all together. Each dimension comprehensively is a yogam.. Vedaksharam thus is identified as Nada Samyogam ( cumulative resonation) with twenty dimensions of shape or Aakriti, seven dimensions of Numerical expressions, three dimensions of dependence on each other or Aasraya, and two dimensions of corollary or Dala yogam. The multiplicity or progression became a function based on the yogam, It is the guiding principle to understand the implications of the Vedaksharam. “Madhu” is the viscous state of matter, in the liquid form and “Cha” is fragment and “Anda” implies “transitions”, “ motion” “ odour” subject to the positional configuration in a Vang. “Gayatri” implies the time, geographical positioning, and the schemes applied in it along with the prescribed norms of rendering itas a Vang. This implies that Vedaksharam need Darshanam (vision and seeing), Sparshanam (touch or sensation), Ghranam( smell) that leads to Shroudharam ( hearing as a template in a unitary form) and Hridim ( ramify it into every part of the body , as the blood does). Hridistam ( byhearting ) means to infuse it as what heart does and to integrate it in harmony with the Cardiac Conducting System. This entire processes was developed by Gautama Maharishi and Viswamitra Brahma Rishi. ( Hridim – Hridistam, The breath when taken with full force through the nose, the inner membranes between nasal cavity and the throat ( Glottis) resonates to give “Hrii” sound. When this profuse breathe is s stopped, the sound of Da... daa..dhi. sound alone remains. hrum .... hrummmmm... hhrummmm hrukaaram---- hruuuuu da dha dha da dha umm umm ummm umm hrudam mmmmmm) Only after understanding Gayatri and Madhuchanda Vedas can be understood. Maduchanda implies that Vyasa drew it from the nabhas and the entire explanation gives the right approach. It is Khaga gana nanda in formation. When birds fly in a formation the young ones are kept in such positions that they need to use less energy. This larger understanding is the direction for the practice that where the younger generation has to be positioned. Whether Vyasa incorporated his own verses and also from the works of other Rishis to substantiate and support his composition will become clear only when the right applicability of the positional values of Vedaksharam are clearly understood. Samskrutam , the transcriptional language had become extensively developed in his time. It is not sure whether Vyasa’s scribing of Rig Veda had made some amendments as there were some Vedaksharam in isolation is in the Vang form. It is probable that he applied his mind and beautified it , so that a meaningful expression is expressed. Even, the drawn Vedaksharam in which the Anga prakshepa ( the use of limbs and organs in chanting) and AngaVikshepa( withdrawing patterns of the organs or limbs corresponding to the hymn) that gave the Samyogas evntually could not be positioned in the written form. ßrahma is the first of all to learn any knowledge system. It is from him that Prajapathis learn and from Prajapathi other Rishis learn. OM or Pranava beejaksharam is not prefixed in the Vang form. It is to be concluded that after the Vedas were drawn , that the human self attained perfection and supremacy in terms of structure, function and control over nature. GAYATRI . The setting up of a standard practice and concept of time and periods was the key requisite for an organised life system, management, administration and other day to day and periodical functions. This led to the formulation of theories. Viswamitra expounded his theories in Gayatri .that can be summarized as:- Theory 1. Rotation of the earth accounts for the day and nights. Earth completes one cycle in twenty four hours, 12 hours day and night, 60 seconds make one minute, 60 minutes make one hour and 24 hours make one day. Theory 2. Prachodaya or Prachir Udaya. Rotation of the earth accounts for the appearance of the Sun as rising in the east, Theory 3 . Saviturvarenyam or revolution of the earth around the Sun accounts for nine periods or Mahim or months. Theory 4. Orbital path of the earth around the Sun is Oval or elliptical Theory 5. Rotation and revolution and the distance factor with the Sun and Moon and the cycles all together accounts for the Gravitational force . Theory 6. Gravitational force is the reason for weight . Theory 7: At the end of every three years, one day accumulates that gets added to the 4th year and that is Leap year. Theory 8. One unit of Gayatri, YO, the distance between the sun and the earth is calculated near to perfection, may be correct on approximation at that point of time. Gayatri denotes One Astronomical Unit as the distance between Sun and the earth as 14976,0,000 YO In order to work out a symbol based coded form of an equation on the astronomical values, the most pertinent task was to position the Variables which have constant values in their positional function. This positioning of the Variables or alphabets with a meaningful articulation of the theoretical aspects is a phenomenal exercise. Even in the modern days, theory and explanation or derivations are worked out separately, besides having a well defined hymn. This forms the basis for the application of Gayatri as a scale in the Rig Veda. Gayatri comprises of Fifteen elementary variables with constant values ascribed to each as per the then existing scheme. (1) Bha, (2) Ga, (3) Da, (4) Dha, (5) Ta, (6) Va, (7) Sa, (8) Ya, (9) Rr’ (10) Ha, (11) Ma, (12) Na, (13) N’na, (14) Pa and (15) Cha. To compose a Verse out of these fifteen alphabets it could have been either, BhaGa DaDhaTa Cha, SaHaYa PaVaR’rN’na or some other juxtaposition of these letters. Choice of 15 letters is significant in relation to the rotation of the earth. Earth completes one diurnal cycle in 24 Bhur (hours). 360o in 24 hrs give the value of 15. One hour is given the Value of 15 degrees and one minute equals 0.25o. .Therefore, the objectivity of Kaushika was not to create merely an equation. Fifteen plosives of his algebraic notions were given meaningful perfection of words and Kaushika engineered Gayatri to create radiant energy, to enable one to see the world with the light generated by one. Eventually, to understand the universe and its entities Gayatri became a tool and it is with that knowledge that all elements are defined and the coded form of knowledge took its origin as what we call as Veda. Gayatri is the codification of the methodology and the processes of the universe in totality including individual system development of the Knowledge bases. Honouring Kaushika with the title of Viswamitra cannot be seen as a mere gesture of appreciation but a conferred Degree. Names Bhu, Bhuvi, Urvi ascribed to earth as based on the unitary considerations and units of time. Similarly day or swa and mah or month is derived and a definitive period is fixed for an year. Absolute value of time is the beginning of a systematic way of life and societal structure and Gayatri laid the foundations of a new age in the history of human race laying the foundations of modern Astronomical Sciences. No doubt, Viswamitra is the progenitor of the modern Astronomy, bifurcating this stream of science from Astrology. It is wrong and baseless to say that Indian Astronomy relied on the concept that sun revolved around the earth. 4. DECODING GAYATRI- Method The key or the scheme for decoding the mantra may be within it or may be found elsewhere and therefore involves complex process and applications of different schemes. The schemes detail the scientific information or theory or application. The schemes are to elucidate values that shall be the basis to decode, derive and calculate the theoretical applications. The right to decode the derivations and give functional applications was vested with a specific School known after the proponent of the scale of the values. Gayatri attained stature of an elementary mantra in praise of Sun or therein with the meaning more or less like: - ‘we meditate on the glory of the Creator; who is worthy of Worship, Who is the source of knowledge, who is the bright light, May he illuminate our intellect. ‘Gayatri is encoded in the 3rd Mandala or book of Rig Veda. The schemes of calculation encoded in the mantra are basically two “TAT” and “DHI”. The underlying Scheme of measurement is YOYO. Every letter, word and the schematization in Gayatri unfolds the derivations or terminologies that denote functional derivatives of the planetary motion in the solar system. ASTRONOMICAL CALCULATION OF THE SCHEMES The composition of 4 schemes underlying in the Ga. Yat.ri is beset with two distinctive methods of calculations indicated as TAT and DHI. TAT’ is an scheme of addition scheme where as DHI is progression scheme of adding values together in a linear pattern with multiplication. And YO is the unit of measurement of the distance between the celestial bodies. To derive the underlying values, the ascribed numerical values of the schemes have to be applied with the methodology. This was a means to safeguard the Knowledge base in a coded form, so that intellectual property rights are held by the particular school. Based on these methods the time required for one cycle of rotation of the earth and its constant values can be derived. 1. BHUR BHUVA SVA Letter Numerical Value Ascribed Value BHURBHUVA SWA BHA 24 RA 40 BHA 24 SA/ 90 VA 60 238 SVA is not an expression complete with a finitude, it is indicative that total value is not a perfect number, therefore the last digit can be considered as a fraction. So the total value stands 23.8. BHU Units approximated to 24 units BHU= 24 Bhu . UR- :: Bhu.VA:: s.Va Bhu- ur = horizontal plane = Bha/ R = 24/40 = 0.6 Bhu = Bh’ OO = . 103 x 6 = 60 . that ies 24 units of Bhu, One BHUR = 60 UR One UR = one VA Va = 60 1 BHUR = one UR x One VA = URVA = 60x60 = 3600 and hence the unit of one BHUR is URVA , and the earth is given the URVI based on this unit value. SVA. Sva has half of Sa with Va, pronounced to give the first half of each of the ascribed values , that is devoid of their zero. To say S’ = 9 and half the value of the following letter V’ 6 being not a finite word or (poornam as swam) zero values are be omitted. i.e= 9x 3 = 27 Bhu = One Sva = This Yoga or cycle of S’ Va = has been coined to give the name Savi to the Sun One unit cycle of the earth to round the sun is 27 Bhu .based on this Nabha Samyoga and Nava Samyoga calculations that appear in the other Hora Sastras. SVA in the other scheme is 9 +3 = 12 BH ur SVA = 24 i.e 24/ 12 = 2 12 + 12 UR = 1BHUR 12 BHUR is Savi or exposed to sun in the order 3 BHUR transition and 9 BHUR of direct Savi exposure. Therefore, it can be derived that, 1VA = 60 equivalent to the Seconds 60VA= 1 UR equivalent to Minutes 60 UR = 1 BHUR equivalent to Hour 24BHUR = I Bhuva equivalent to day. (9+3) + (9+3) = (12+ 12) i.e., 12 hrs day, 12 hrs night. Transitory period from day to night and night to day = 3+ 3 = 6hrs Effective day light = 9hrs and effective night =9 hrs. 2. TAT - SAVITURVARENYAM (ORBITORY CYCLE AROUND SUN) From the previous Vyahriti, Sun is ascribed the name SAVI and Earth URVI. URVA + VARENYAM = URVI VARENYAM= TAT scheme. Saviturvarenyam implies that earth varenyam's or encircles the sun, defining the shape to that of a garland which is elliptical. SA 90 VA 60 TA 16 RA 40 VA 60 RA 40 NNA 15 YA 30 MA 25 366 Number of days required for Orbiting the Sun is divided along Nine Periods or Mah as per TAT system the number of days is calculated to be 366 days. TAT is ‘ TRIGUNITHA SAMYOGAM”. As indicated in the previous code it has application of Nava Samyoga ( cumulation of 9) and in the present code it is Triguna Samyoga ( cumulate of 3).Trigunam or Constant values of 3 are with Akriti or feature(20) Sankhya or numerical (7) and Aasraya or dependent number(3).By all means , TAT is a Samyoga or Cumulative function. The days are divided into 9 periods totaling 366 days as one savi-tur i.e., duration of one revolution around the sun. These periods do not identical number of days to 30 31 and 28 as in today’s calendar. Viswamitra system, defines the shortest period to be of 15 days and longest period with 90 days, only one period of 30 days and one period of 16 and one period of 15 days, indicates a behavioral change in the generalized lunar cycle of 14 days. CALCULATION OF the lunar cycle is given as NNYA-AM. (2+5) =7 NNYa ( ½ of NNA i.e. NN’ 8/2 = 4 added to Ya ( value of Ya without zero) =3, i.e., 4+3 = 7 and AM ( MA = 25) = 2+5= 7 , 7+7 = 14 days is half lunar cycle or full moon to new moon is 14 days and full moon to full moon is 28 days the calendar on full moon day reads 0. Total numerical value of Varenyam independently totals to 27, gives the basis for the astronomical calendar of 27 days. 3. BHARGO DEVASYA DHI MAHIM In a four year period, there is a variation of 24 hrs or one day, which he has elucidated through an elaborate method of splitting the days into 8 periods and deriving a variation of 24 hrs and thus arriving at a conclusion that a year has only 365 days. And in 4 years it will be adjusted to 366 days. 3. DHI YOYO NA PRACHODAYAT Method of DHI elucidates 9 periods. , Earlier Use of DHI MAHIM, or ascribing the mahim to the flowing DHI YOYO scale, defined these 9 periods to Mahi, or Months. The variations correspond to values as per the system of Yoyo. YO defines the distance between the sun and the earth while earth orbits round the sun. And is given as Ga ya. Tri. GA. YA TRI ( G’a+aT’ + R’a) ee By the Scheme of Dhi G’a x Y’a x Ta x R’a x EE ( 3x 30 x 16 x 40) = 57600 x 102 = 5760000 x G’ Y’ TA R’a e Atre impliesthat the number of times as the total value of the samenumbersGayatri (atre) Ga=3+ y’= 3+ t’=16+ r’ =4 , total 26 5760000 x (3 +3+16+4) = 5760000 x 26 = 14976,0,000 YO as the distance between the earth and the sun. AGNI The visionaries of Vedas are those who have seen the origin of space , matter, the entire universe and the earth in its formative state to the coming times. It is seen as radiant oscillatoryprocess to particulate emission. The Veda begins with the processes. Vedaksharam as it is a template, every Akshara forms the template for the transcribing processes. “Aksha” or axis of “Ram” or human settlemet or city state is Aksharam. Vedaksharam is therefore, the communicative language of Vedadhipas or Brahmarishis, under whom Maharishis, Rishis and other lineages are placed. Vedaksharam is drawn with an axis in conjuncture to the axis of the earth. Primary Aksharas never had a straight line formation, it can be called roopa rekha ( core frame model). Aaa Aaaa Aaa Gaa aaa aaaa aaa AGaaaa Aaaaa Gaaaaa aaaaa aaaaa Agaaa aaaNaa aaaaa aaaaa Aga aaanaa aaam Aaa aaa Agaaa aaa Naaaa aamm Aaaa aaaa aaamNaaa Aaa aam naa Aaa yaaa Naaa aaa aaaaa aaaaa Aaa aaa aaaAyanaaam naaaaaa Aaa yaaa Naaam aaa aaaa Amnaaam aaaa Aaaa aaa Aaamnaaam naaa aaa Aaaa aaa Agaa aaaneeii Aaaaa Aga neiii eee Yo Yo Aaaa Yaaa Yaa aaa Agaa aani Aaa aaaa AGNI eei eei eeiii Eeii eeei eeeiiiii eeeieeeM AGA = that which rises to the 3rd dimension and descends = mountain, sun ANA = that which opens = mouth AMNAM = makes sound AYANA= that comes out AYA = metal, Iron ANI = point AGNI= plant Agni, Agnimukh ( Semecarpus Anacardium), Plumbago Zeylanica ( Agni). Gloriosa superba ( Agni shikha), Carthamus tinctoreus and Grislea tomentosa ( Agni jwala), AGNI = aGaNaaM NaaM aYaNa aYaNi aNi aGNi SANKHYA_AKSHARA SMAYOGAM OF AGNI 10 x 3x 102 = 3000 Based on the Madhu Chanda and gayathri numerical schemes 3000 has to be derived for unitary, binary, Tat and Dhi Schemes, inorder to derive the implications of Agni. The meaning as in Vang :- Mountain that which opens its mouth with sound is volcano. That which comes out from that point has metals . The same process that can generate the same and the same functions that can be availed from the natural beings. The seeds, fruits , flowers, roots, the stalk, the stem, the latex of which is a good heat producer. The plant that belongs to the cashew variety yields a latex that can be the best fuel to kindle the process of melting of rocks to produce iron and metals. The location is identified by two plants that grows there – Agni mukh and Agni Ie. Plumbago and Semicarpus. It was the way of identifying the locations by the natural vegetation of unique species that grows. Ashtanga Hridaya, Charaka samhita, sharangadvaha Samhita and several other treatises have developed formulations based on these plants. Yet, Agni is the element that is never put off in the life. Even a few decades back, before the match box became popular, there used to be a fire pot or hearth from which the fire was rekindled for household or other purposes. Agni symbolised its effective use in the prosperity and well being of the world, scaling down to the utility in accordance with the utilitarian purposes, delinking the frightening ravaging properties. This scaled down entity, had to be handled with care. Fire is and was feared, and yet it had to be brought in for human welfare. AGNI symbolises the transitions in the human society and is the key element of organised way of living, health, hygiene and is the weapon for subjugating the territories. aGaNaaM NaaM aYaNa aYaNi aNi NADASAMYOGAM While explaining Gayatri in the development of human energy system for the mechanical functions , that is at a level not perceivable to other entities, Kaushika had developed “Samyogams” or Numerical value that can be ascribed to the constellations. Aksharam when rendered creates “Nada Samyogam” Nadasmyogam is the cumulative effect of ‘Aakriti yogam ‘+ ‘Sankhya Yogam ‘+ ‘Dala Yogam’’ + ‘Aasraya Yogam’, which inscribes the time in terms of constellations corresponding to the constitution of “AGNI” Aakriti Yogam = 2 Sa’mkhyaa yogam = 7 Dala yogam =2 (2)=4 Aasraya Yogam = 3 Nada samyogam = 52 Numbers with distinctive characteristics in their fundamental operations are 2, 3, 7 , 3-2 = 1 2+2 = 4 2+3= 5 3+3 = 6 7 10-2= 8 (vasu sankhya) Octave scheme 7+2 = 9 ( Unitary system ) 7+3 = 10 dik sankya = ( 9+ (1+0) The key numbers 2, 3,5 and 7 find its relevance in the samyogas. That total of which is 17 that too a unique Binary number. Trikam = 3 and so is AGNI Aa’ [G’] Ni or AGNI is the Nada samyoga of Trigunasamyogam A a’ is Aakritiyogam which is sankhya yogam + aasrayayogam i.e., (7+3)= 10 Ga is Trikam , Aasraya yogam= 3 Na is Akrityogam with E matra , it is an exponential value of Dalayogam (2) with i.e., (2) 10 = 20 As E = 10 x 10 Agni has a numerical Value of 33 in the Nadasamyogam when it is pronounced. (10+20)+3 = 30+ 3 = YA(30) + GA (3) = YAGA = AGNI = 33. This indicates that Agni incorporates and positions 33 presiding deities in different Functional roles in YAGA . IN the process oriented approach, Agni itself indicates thirty three utilities or functions of the heat energy. Vedaksharam in the Sankhyaakshara_samyogam to NadaSamyogam in the Vang form is an objective function apart from the ritualistic methodologies. AGNI itself explains the technology of harnessing the electric discharge of the clouds from mountain cliffs using the Needle like structures to produce metals. From the Vang format, it can be derived that “A sharp pointed needle above a high mountain attracts the lighting and results in the formation of new solid objects, that have varied utility. Utilisation of lightning was a technology that underlies in the principle of AGNI. Letter “Aa” itself is shaped in the process formation of a straight line descending down and then taking an angle to the left leading to straight branches downwards. “Ga” is also a similar formation and the resultant “Na” is in finitude.” Agni is an abstraction of an array of technological process. Do we really need to revive it today? Does such natural process have any relevance over Industrial processes of this period? . From the Sankyakshara Samyogam, Aa = 100 Ga =3’ N’ + i = N2 This when witten Aa is Ga N2 That is Aa= GaN2 ‘Aa’ = 10 = 1 9 2 8 3 7 4 6 5 5 50 1 , 1+2 = AGA 1, 1+3 = AGha 1, 1+4 = A Ng 1, 1 +5= A Cha 1, 1+9= A Ng 1, 1+8 = A Jcha 1, 1+ 7 = A Ja 1, 1+ 6 = A Chcha 1, 1+5 = A Cha Adding the digital values in the second position, 35 adding the digits in the first position 15 Total digit values 50 , 15 , 35 Total = 100 (10)2 Ei’ 10 20 30 40 Nj Na Ya Ra 1, 1+2 = AGA 1, 1+3 = AGha 1, 1+4 = A Ng 1, 1 +5 = A Cha 1, 1+9 = A Ng 1, 1+8 = A Jha 1, 1+ 7 = A Ja 1, 1+ 6 = A Chcha 1, 1+5 = A Cha 1 1+2 1+3 1+4 1+5 1+6 1+7 1+8 1+ 9 10 Nj ANj AnjGa AnjGha AnjNg AnjCha AnjChcha AnjJa AnjJha AnjNj 20 Na ANa Na Na Na Na Na Na Na Na 30Ya AYa Ya Ya Ya Ya Ya Ya Ya Ya 1 Aa Aa Aa Aa Aa Aa Aa Aa Aa Aa 15+1=Ta 50 35 Yang Madhuchanda with Gayatri thus Priods and Series in the SankyakshariA Nada samyogam . Periods refer to the a given point of time as expressed in the Madhuchanda Format . Time here is not linear progression. Time is in reference to the function. The function of the formation of simultaneous actions taking place at the same point or instance, but cannot be explained at the same time. It is the format of representing a process with a notation for which ‘Nj’ , ‘Ng’ are used. Periods thus represent in the processes of given point as in the vertical axis, and ‘Ng’ refers to the Process that take place at the same point of time and is in the rows on the horrizontal axis. The other dimensions are expressed by the Gayatri format. Gayatri format is schematic and it involves the positioning of factors that gives the expression or derivation of the processes represented in the Vang ,giving rise to the spatial function or Vyasa Madhuchanda, thus forming the polynomial axises. Thus the Vedaksharam is an Yantra, and Gayatri renders a perfect shape to create Sankhyakshara nada Samyoga. Therefore, to understand every sound or Vang, it needs an elaborate mental process of knowledge systems underlying within the Madhuchanda. Together with Gayatri system provides the key to derive the Sankhyakshara Nada samyogam. This renders Vedaksharam a graphic form of representation unravelling the conformation of structures that could not be represented through two diamensional (2D)or three dimensional formats. Hence, Vision ( Akshara darshanam and mantra darshanam ) were the applied methodologies for the realisation of the technological base of the Vedaksharam. Period 1. Aya Ayana,Ayata, Ayatana Ayata-nja Ya-ng-nj’ Aya = To Produce , Ayana = moving around or in a circular or cyclic form Ayata= attains, at the sa, uncontrolled, Ayataya = at the same point or spot Period 2. Ana, Ana-nj-ya, Aayana, AaYa-nja-Ga, Ata A Ya Ta- Aya Ta Na, Ayatana-nj- Ga Ana = this, inward and out ward movement, Ana-nj-ya= sytstem ,principle, Aya-nj- = static position, stable, Aya-nj- ga = respct to, tribute, Ata = From Yata= controlled or governed Aayata= directed towards, periodic Ayatana= resting place or the place to be disociated Period 3. Aga, Agata, Aaga, Aagaata, Agata-Yang, Anayaga, Anayagha, Anaya-nj-agha, Aayana, Ayanata, Ayanancha, Ayana-nj- Gha , Ayanata-nj-Gha. Period 4. Aya, aaya,Ayata, Ayaata, Ayaya, Ayayayata -nj- Ayana-nj-ng- Ayana ta, Ayanata-nj-ng.. Period 5. Acha , Achana, Achanya, Achayana, Achaya-nj-, Achayat, Achayat-nj, Achaya-ng, Achaya-nj ng. Period 6. A yana ,AyananChcha, Ayanaan –nj chata , Ayanaan-nj ta ya –ng Period 7 . Ayanan-nj-Ja. Ayanan-nj-ta, Ayanan-nj- ta Ya-ng. Period 8.Ayannan-nj- Jha, Ayanan-Jha ta. Ayanan-nja-ta ya-ng Period 9. Ayanan-nj-nj , Ayanan-nj-nj- ta ya-ng Period 1. Aya Ayana,Ayata, Ayatana Ayata-nja Ya-ng-nj’ Period 2. Ana, Ana-nj-ya, Aayana, AaYa-nja-Ga, Ata A Ya Ta- Aya Ta Na, Ayatana-nj- Ga Period 3. Aga, Agata, Aaga, Aagaata, Agata-Yang, Anayaga, Anayagha, Anaya-nj-agha, Aayana, Ayanata, Ayanancha, Ayana-nj- Gha , Ayanata-nj-Gha. Aga = rendering in low voice Period 4. Aya, aaya,Ayata, Ayaata, Ayaya, Ayayayata -nj- Ayana-nj-ng- Ayana ta, Ayanata-nj-ng.. Period 5. Acha , Achana, Achanya, Achayana, Achaya-nj-, Achayat, Achayat-nj, Achaya-ng, Achaya-nj ng. Period 6. A yana ,AyananChcha, Ayanaan –nj chata , Ayanaan-nj ta ya –ng Period 7 . Ayanan-nj-Ja. Ayanan-nj-ta, Ayanan-nj- ta Ya-ng. Period 8.Ayannan-nj- Jha, Ayanan-Jha ta. Ayanan-nja-ta ya-ng Period 9. Ayanan-nj-nj , Ayanan-nj-nj- ta ya-ng SERIES: Series 1. A-nj- . ga ,gha, ng ,cha ,Chcha ,Ja, Jha, nj- nj Series 2. ANa, Na, Na, Na, Na, Na, Na, Na, Na Series 3. Aya, Ya, Ya , Ya, Ya, Ya, Ya, Ya, Series 4. Aa, Aa, Aa, Aa, Aa, Aa, Aa, Aa,Aa GAYATRI SYSTEM OF AGNI Gayatri envisages two main schemes of “Dhi” and “Tat”. These two schemes enabled the decoding of Gayatri to enunciate the inscribed astronomical derivations and theories. While the same being applied to the Rig Vedic Vang forms, it has to be through the Madhuchanda derivations. For this an effective inter relationship of the periods with that of the series in Madhuchandha of every Aksharam and Word is required. If the world can study the Science from German, and French and Russian Greek and other western language through English words, format of the Vedas also should be acceptable to the world. # Vedaksharam # Gayatru#decoding vedas#vang& Dhvani# Numerical Progression # Gravity#Biionic Rnergy# Indian Astrionomy