ISOL , TEZPUR , NOVEMBER, 2012
REALISING THE
VEDAS
VEDAKSHARAM
Krishna Kumar MB
ABSTRACT
North
east India is the seat of elementary knowledge. Recent history depicts
the founder of Sikhism Guru Nanak who had meditated in a cave at Machuka in the
Indo China Border and to have attained enlightenment there. Where as, in the
ancient times Guru Padma sambhava is believed to have travelled through this
part on his way to Tibet to preach Buddhism. Adi Sankara came and meditated at
Kamakhya peeth. Medieval history again has the imprints of the Guru Tej Bhadur
of Sikhism having set foot in the Dhubri.
It is in this holy land that Parasurama did penance. Most significantly,
it is the place where the great Srimanta Sankardeba kindled the flame of
cultural renaissance and satra traditions.
The seat of Tantric traditions, and
Jyotisha, natural medicine, Shakti cult, and a lot more was added from this
region to the Indian system of Science and Technology. It is in these eastern
Himalayas where impellers were designed for harnessing the force of flowing
waters, which the fore runner of the hydro electric power generation. It is
here that the first ever census took place in the human history and Food
production to population ratio was put to practice among the indigenous
communities. More over, silk route takes its origin from our Bodoland. And even today, it is the home of the
prestigious Golden Muga silk. Even if the modern civilisation perishes, a new
civilisation will be born from the elementary knowledge base of the North
eastern part of India.
From this land, it will be
relevant to have a look on the Vedic system. What we have today with us is the
script form, believed to be written compiled by Veda Vyasa. Though
written, Vedas have the basic structure and format that is in the Vang form. It
has a pattern, inlaid structure and principles to derive its knowledge base.
Sankhyam or alphabetic based numerical system, linguistics, commentaries,
vedicology, Indology, and an array of streams developed over a period of years.
Yet, we still keep on saying Vedas are codifications of technology. Except for
the claim of Satish Chandra of www.agragami.in
who used Purusha Sookta to develop
static energy, no technology has come up. Even Satishchandra’s works, which
could have been a frontier technology failed to be put to use.
This fresh approach is based on
the understanding on Vedaksharam or alphabets of the Vedas in a format that is
alphabetic numerical resonance system. By this method, Gayatri scheme is to derive
the scientific equations, where as Madhuchanda scheme gives the
descriptions. Combining these two
schemes the scientific base of the Vedas can be realised.
Realising Vedas
VEDAKSHARAM
1. Probe
Vedas are
hymns or mantras.
A mantra is an
“energy field generated through resonance of definitive sound frequencies
produced within a definitive constellation period” This constellation period is
the defined time.
Any sequence of such
sound frequencies that generates an energy field within and around oneself is
in the form of a radiant light frequency, can be characterized as a ‘Mantra’ that
can be a single sound or a word or a verse. This self radiant energy field
serves as the “Probe” to intercept, explore and analyze the systems.
Therefore, the
knowledge originates in the wave formations of light. The radiant probe that
emerges from the human system or the Emitter can be termed as the “ Emitted
radiance”. Or “Vikshepa”. Radiance ,
so Emitted intercepts or probes the space or
objects or organisms or specific areas or objects that may or may not include matter and is received back to the source of the emission as the “Radiant Information
Signals” or ‘Akshepa’. The Radiant Information Signals of Akshepa and Vikshepa are
transcribed in the form of a Visible resonance – in a language format, which is
termed as knowledge.
A predetermined volume
of such Information is with highest order of precision and is concise as a single point ( Bindu). This single point of resonance
serves as a compressed information base or the “Biotic Generation of Ionic Signals”.
Or Biogenic Signals and it serves as the template for further deciphering of
the voluminous data.
Every
resonance that generates a Biogenic signal is the fundamental unit of the Vedas
that constitutes Vedaksharam. To understand and
assimilate Vedas, “Radiance to Resonance” is the applied methodology. The basic
Scheme of resonance is a time based system in synchronization with the geo
systems is expressed an abbreviated form known as Gayatri. System of Gayatri is
beset in the central point (Bindu) and is in conformity with the axis of the radiance
system and the receptor systems. Gayatri establishes ‘Mantrasya Mantra’ as the
apt system.
‘Ma’n’
trasya’, some thing that is imbibed and in a state at which ‘Ma’n’ and ‘Mantra’ cannot be
distinguished as what is what, at the same time that which radiates
sporadically from the mind or ‘Ma’n’ is what is called a Ma’ntra. This radiance transforms into resonance
and it comes out through the body surface as static energy and the field effect
of mantra as envisaged by Gayatri mantra is precursor of Biotic Generation of
Ionic Signals or Biogenic Signals and the Bi- ionic principle.
When a sound is heard and
perceived, a system of perfection and precision is achieved in the manner it is
spelled out or resonated and has more visible ranges, modulations and frequencies,
which is a multi dimensional graphic structure that get imposed in the sensory
perceptions. Whereas, the same when written, it gives an anatomically flat representation and gives enormous freedom to read as one
desires. In a written form when it is read as one desires, the intonations,
modulations, and all nuances will differ from person to person, or with the
same person, depending upon the time and mindset. Whereas in the
heard and perceived system, form the essentials are retained as such with all
components in its right position and time frame.
In order to have a restriction on
this freedom, it was important that the Rishis or Seers to develop a technology
of drawing the knowledge bases into a systematic process. Thus, based on the
Technological frame work of Gayatri, Vedas were drawn with a crystallized form
known as “VANG”
Drawn and written are totally
different processes. Drawing is
highly precise and is a graphic representation , in which every point of
spatial distribution of a resonance assumes geometric patterns and accrues a
shape with the posture and gesture of the persons from whom the sound is
generated together with the positions of the persons and their formations
. There were scriptures even before The Vedas were drawn, that
was ‘Pra-krut’, with no such
precision and structured on the basis of Gayatri.
When it matters to Vedas, the
question of how precisely a systematized streams of knowledge could be abbreviated
and drawn as symbols with
precision, at the same time with surface structures of varying expressions . These
surface structures represent the morphologic system of knowledge. This is the
basic schematisation in the Kaushika System of Gayatri.
This system addressed the long
pending requisite for standardizing time. Gayatri incorporates most intricate system
of codification, variable functions, vectors, scalars, Samyogams or integrated
functions, fundamental operations, Geo-metric functions and theorizing into a
convergent form. This constitutes the foundations of Indian systems of Knowledge
Bases.
Indian system of Knowledge bases
begins with dimensional values of the space. The matter is secondary to space. Particulate structures are existent forms, where as space is
the precursor or progenitor of matter.
This necessitated the devising of a technology which can withhold space
within its functional imperatives.
To bring out the theories and
explanations, derivations and the entire volumes of Space Sciences, could have been the declared task
of Indian Space Research Organization and Indian Physical Research
laboratories. However, it has not
so far happened. This spatial system and its derivations form the basis of the
convergent point of ‘O’ or ‘0’ which has the first point of locus resonating
“Aa’.
With this theorization and codification
integrated in Gayatri, the
Aksharams or Letters were drawn in space with cosmic radiance, a technology
which was developed by Kaushika who became elevated to the stature of
Brahmarishi. Gayatri was the
first created in the space which implied that, the knowledge base will never be
wiped off from the universe, even if human race and the earth and the Milky Way
perish. Some where it will be perceived by some form of life, and the Vedas
will be reborn. This is the principle of eternity and continuity of knowledge.
It is therefore evident that, Vedas
are not written in any language, it is an intricate code, in function
equivalent to the codons of the genetic systems. Vedas are the genetic endowments
of this universe.
In situ, as it uncoils, octameres,
base pairs, sequences with the bilateral symmetry with a visibility when it is elevated to next position of numerical value of 9(nine)
with a centric position of 5 (five) become visible.
This element stage of five in the system is the genesis of Five
Principles or Tatva.
Thus, the peripheral or outward meanings of a Mantra, as defined
by Gayatri, is used to scribe the precedent and
later scriptures, that eventually
came to stylized scientific form
of language- the Sanskrit. Based on which the Vedas were interpreted and
the scientific systems had a Natural Death.
Vedas are not drawn in a
language, it is the Vang form. Vyasa inscribed this format with the scheme of
Madhuchanda synchronised with Gayatri. Every Vedaksharam therefore has a structure,
positional function and is a precursor that forms a template from which the
derivations are derived. And the template remains unchanged, and continues to
be as such. This is the basic reason why the Vedas are unchangeable, or cannot
be altered, and nothing more can be derived than what is drawn in it.
2.
PRECURSORS or
‘SROUDHARA”
“Sr-a O- UDHARA’ – sequential
flow of resonances SRA –O that have created visible forms are’ UDHARA” or
projected to give rise to the base from which a Vedaksharam is drawn is called
it precursor.
Every letter has a precursor in a
different form that has no structural conformity with the finally drawn form.
Precursor of the letter or Vedaksharam, symbolizes the characteristics and
functional properties of a
Nadam and sabda so derived to constitute a word. This word forms the key
resonation or Dhwani. Dhwani
is the basis that is SRA- Heard and UDHARA Projected. Dha'ra means earth and adhere
means lips, Soar means hearing or heard.
Sra – also means effort, udhara
means taken out from, dhara means sequential flow.
Sa – soonya – from infinity,
undivided infinity to infinite variety that gives the finitude of
indestructible Vedaksharam. In the
depths of eternal silence, the shearing sounds of radiations were like thunder.
An impatient wait of ages, to get hold of the moment that the rumbles of the
universe are muted and the base reverberations could be heard. This base has
the characteristics of the sum total of all traversing sounds since origin of
space. This explores the cosmic design
that has synchronous existence with the elements of the universe. What is left
today could be perceived even after several millions of years. It is in the
space. It is timeless and is
irrespective of matter.
Letters Vedaksharam do not represent
a flat structure. It is not drawn on a flat two dimensional or 2D mechanics. Every Vedaksharam are represented or drawn as the
mechanized systems or Yantras that have spaceless –Timeless configuration.
Thus, the resonances of Vedaksharam Extends to the atmosphere and creates a
space of its own and the same time
it extends the scope of creating corresponding space in the central core
of the universe. It addresses the dimensions and derivative values of the core
of the universe where, the particles take shape and are radiated to gain
momentum, to constitute larger particulate structures thus forming the fine
layer of our knowledge base. . This is the central core of space that forms the
primordial point or “Beeja Bindu” from where radiant energy originates and
diverges is the “Brhama Mukham” or
cosmic face. It is here that ‘SROUDHARA’ took its form and shape, and is
perceived. This is the process of traversing in reverse time scale.
The process of
traversing in reverse time scale to affix the values with out relative
functions or states of matter is
represented by “ONE” (1) that is “ Aa” (1)
gets raised to the value of
“0” (1)0 and “
0 “ has the finitude Value of
Infinity. These three values have positional function and integrate to attain
the same value of the infinite. This infinite and “0” disseminated to the value
of “one”, equates the
position of the core of the Universe. A resonance wave with an infinite
amplitude oscillation equals it to a decimation of one to a root mean square value
in sequential progression where by the mean value equals to one, with
functional value equals to zero in the state of oscillation where by one zero
and infinity are unrecognizable, that functional resonance is the base value of
“SROUDHARA” or the precursor of the nada or resonance of Vedaksharam.
Precursor, thus formed as the
resultant derivation of a functional attribute of the its own function
generates a space of its own to have visible presence or physical existence in
the state of radiant energy in its
state of formation Akshara Khanda
(Segment). Each Akshara Khanda
with its sub segments or Upa-Khandas constitute the space within the space to
produce a structural conformation of a mechanized system or Yantra that
inscribes within the internal space the entire gamut of the technologies,
derivations, terminologies, calculations, operations and functions. Integrated
function of these spatial mechanisms constitutes a Vedic letter or Vedaksharam.
3.
A_K’SH”ARA KHANDAM
Every vedaksharam has a sequence
of “Khanda” or regular segments. Every
sound is expressed through carrier sounds that are represented by an ‘Upa
Khanda’ or sub segment. Sub
segments imply the value based numerical systems and its operational
applications and the derivatives in conjecture to the other Upa Khanda, which
is beset in the intonation and the nuances thereby creating the formations that
give the rise to a defined sound. Thus with Upa-Khandas and Khandas a letter or
vedaksharam is drawn to a scale. The positional application of a
letter is predetermined through this scheme. Every letter is rendered with symmetry,
linear, vertical or horizontal.
Every letter is a solid
multidimensional, and it represents a phenomenon, processes, applications or
their extensions, expressed through its sub-segments, segments and in totality
as expressed along with its carrier sounds of prefixes and suffixes of the
letters or precursors.
4.
AKSHARA BANDHA or BINDING OF LETTES
Binding letters to its positions give
the right meaning and at the same time defines its function with precision and visibility
without interphases.
It involves two phases (1)
sequencing of the sub segments
into segments and then
interlinking the sub-segments into a segment or ‘Dhat’ or “unitary” information which is independent
in itself and ( 2) spacing or
positioning the ‘DHi’ into two letter word or “Binary” information system to
produce larger information databases or ‘TAT’ . ‘DHi’ and ‘TAT’ constitutes a “module”
or ‘Mantra” giving rise to Sankhya_Akshara_ Nada _Samyogam. Here Gyatri took
its origin. Gayatri in the
Sankhya- Akshara_ Nada Samyogam or numerical alphabetic resonance system opens
the Rig.
CONCLUSION
Vedas have been treated as verses
written Samskrutam or Sanskrit. Different streams of knowledge took its origin
from the Vedic scriptures. Over a period of time, what Vedas are as it would
have been came to be unknown. Different Schools came into being during the
successive Manvantaras or ages of socio-political transformation and is
continuing even these days. Skanda, Parasurama, Chyavana, Panini, Pathanjali, Kapila, Dattatrya, Agastya,
Charaka, Susruta and so an to todays Indology, Vedicology and so on. Yet, the
real understanding on the Vedas could not be attained. One of the systems of the
realising the Vedas is Sankhya_Akshara_ Nada- Samyogam, which is one of the
systems of the Vang Format. Vang is the format in which Vedas were originally
drawn. Gayatri holds the key to understanding and realising the Vedaksharam. Vedaksharam
is a formation of Bindus in a sequence to give rise to its sub segments and
segments or Khandam and its sub-segments or Upakhandam.
.
To realise the Vedas, vision and
understanding of Vedaksharam is basic and understanding as what it is.
