AGNI - FIVE PRINCIPLES OF THE UNIVERSE

 

 

AGNI: five Principles

Krishna Kumar MB

 

Had  Srinivasa Ramanujam and CV Raman been born in pre- Christian years, their theories would have been found as verses in Sanskrit (shlokas) as a commentary or annotation in the form of some Sidhhanta or Sootra, as an extension of the Vedas.  Also, it would have been a part of a ritual with demonstrative effects and would never have been known as a scientific study. May be after a few decades or centuries, some European or American researchers propounded their theories in some other name. The same is the reality about the Vedas. The first ever scientific work had been lost in the ritualistic domain, confined to the use of certain class.

Ages of search of human beings to explore the mysteries of the universe, nature of themselves witnessed the growth of various schools in the continent of India. The masters of such explorations developed the human faculties to transgress into every aspect without interphases and gadgets. Every school developed a system of conserving such data in a specific form of abstraction, which, thereafter, were categorized, classified and brought out under a coded format, which is known as the Vedas. Vedas in all ages, the first account is in in the archipelagic age or Krita Yug as Veda restored by Hayagriva. Truncation of Vedas took place after the development of Gayatri into Rig, Sama and Yajur in the Vang or graphic system of numeric – alphabetic resonance system. Later, Vyasa schools created the written format with Gayatri and Madhuchanda formats, as per the stylization of the respective Rishis. Rig Veda, the first and foremost, is the first ever scientific information on the complexities of physical to biotic systems in the Universe.

 

Any complex phenomenon can be understood only through a process of differentiation, realignment and synthesis.   Provided that a clarity exists on one or more of the constituent factors that can be differentiated with analytical tools, it can lead to knowledge on the configuration and structural conformation, enabling to draw a line between matter and its spatial aspects. Matter can be subjected to a series of such processes, yet, the space remains remain to be a distinctive complex phenomenon. Limitations of human perceptions enters into a zone of conflict in drawing out conclusions with decisiveness through practicable approaches.  Practicable approaches alone can draw such a line between what lies beyond and what that can be decimated to fragments for further understanding. Such fragments when aligned can only provide unitary information as it happened with the Origin of Universe. The science and philosophy on the formation of the universe thus lie caught between the probabilities and possibilities. Yet certain notions continue to be scientific that fit into the schemes of general conventions of contemporary Researches and development.

Here, process of differentiation is possible only if one or more dimensions viz. space, matter or time can isolated along different planes. The complexity lies in the fact that these dimensions are derivations borne out of integrated function and do not independent have existence or identity, if any such factors cease to exist.

It is here that the knowledge system of the Vedas come to the fore that is founded on the scientific bases of the formation of the Universe, rather than Origin of universe. One of the most systematic approach, drawing a concise format of information that culminated as a mere sounds, in a streamlined format of ‘vang’- a numeric-alphabetic expression- Sankhya-Akshara _ Naada Samyogam.

Sankhya_Akshara Nada Samyogam or the Numeric Alphabetic Resonance system of the Vang format of the Vedas are graphic formations that has  takeoff and landing notes spaced along independent axis.. Sounds are Rig Veda sets in with AGNi, the sound that explains five formative principles of the universe or Pancha Tatva. It is from this basic principle that derivation of Five elements or Pancha Bhoota diversifies into various annotations or sutras and commentaries. Under the Kaushika progression, a sound can be given different numeric values as per its position and function, and Agni when rendered:

Aaa Aaaa Aaa  Gaa aaa aaaa aaa AGaaaa/Aaaaa Gaaaaa aaaaa aaaaa/Agaaa aaaNaa aaaaa aaaaa/ Aga aaanaa  aaam / Aaa Agaaa aaa Naaaa aam/ Aaaa aaamNaaa/ Aaa aam naa  /Aaa yaaa Naaa aaa aaaaa /Aaa aaaAyanaaam naaaaaa/ Aaa yaaa Naaam aaa aaaa Amnaaam aaaa/ Aaaa aaa Aaamnaaam naaa aaa/Aaaa aaa  Agaa aaaneeii/ Aaaaa Aga neiii eee Yo Yo/Aaaa Yaaa  Yaa aaa Agaa aani/ Aaa aaaa AGNI eei eeiii /Eeii eeei eeeiiiii eeeieeeM

 

AGA = that which rises to the 3^rd dimension and descends ,ANA = that  which opens AMNAM = makes vibration or amplitudes ,AYANA= that  which is ejected or released, AYA = matter or particular form or element. ANI = Zero point,

AGNI: Agnimukh (Flaring mouth), Agni (high energy release) Agni shikha (different splinters), Agni jwala (flame or flaring up)

Sounds with identical values as in can be substituted with respect to their positional values following the Kaushika Progression.

“Aa” = 1⁰ = 1 

1.   aGaNaaM  NaaM aYaNa    aYaNi  aNi aGNi

Aa’ [G’] Ni   or AGNI - [Aa = 10^0, Ga =3. Na = 20 ‘e’ 10² ]

From the Sankyaksharanaada Samyogam,

Aa = 10⁰  

Ga =3’

N’i  = (20) x10²

10⁰ to 10² Cycle of oscillation (wave Length) created the Cosmic radiance that attained higher orders of Oscillation estimated to the values of 1928374655, the point of particulate emission Aa = G Ni

 "The phenomenon of oscillation between zero value and square value accrues a third dimension, thereby descending to a maximum of 1928374655 cycles is defined as the Zero point or “Agni” from where particulate matter gets ejected. "

 

  2. . Aya Ayana,Ayata, Ayatana Ayata-nja Ya-ng-nj’

Aya  = ejected ,Ayana = moving around or in a circular or cyclic form, Ayata= attains,, Ayataya = at the same point , Anjaya = keeps on producing.  Ang = sub particles,

"Ejected particles attain cyclic motion at the same point that leads to the formation of sub particulate structures. "

 

 3. 

 Ana, Ana-nj-ya, Aayana, AaYa-nja-Ga,  Ata A Ya Ta- Aya Ta Na, Ayatana-nj- Ga

Ana =  inward and out ward motion, Ana-nj-ya=  system ,principle,  Aya-nj-  = static position, stable, Aya-nj- ga = respct to, Ata  = From Yata= controlled or governed, Aayata= directed towards, periodic, Ayatana=  Zero value  or the place to be dissociated.

"Sub particles attain stability through a self-governed process of   inward and outward motion, thus spinning off to get dissociated from the Zero particle."

 4. 

Aga, Agata,  Anay – without energy,-agha, Aayana,  Ayanata, Ayanancha, Ayana-nj- Gha , Ayanata-nj-Gha.

Aga –  zig zag movement, Agata- to occur, Anay – loss/ attaining stable energy, Agha- self-consuming – moving linear

"Ejected particles on account of its spin continues to be in zig-zag movement   until it attains a stable energy level and size, thereupon takes a  linear motion."

 5.

Aya- Thus, Aayat- forms , Ayana- successive, AgGa- Particle that gets attraction, Ayana ng- Positioning in a specific plane, Acham- viscous-  fluid with dispersed particles, Ach-anya, - cyclic.

"The particles get attracted get aligned along a specific plane leads to the formation of a viscous fluid system."

 AGNIMLE-

The five principles of Agni,  sets in  “Trikam” or “Three  dimensions” the space, matter and time are set in as a single formation that exists in the dual state of “infinity”- finite infinity and “infinite infinity”. Oscillation between infinity and finite infinity sets in the dimensions of time, thus configuring the amplitude of oscillation as space, frequency as time and the resultant of both these is the “matter”.  Matter is the characteristic property time defined by the integrated function of space.  Therefore, Matter is   a product of an integrated function of space and time with that of an inverse constant.

Where M is Matter, is Energy, S is space, C inverse constant and  Time

The Time thus is dependent on the value of the inverse constant which is totally an imperative of the Energy resolved through its space.

Therefore matter (M) = Energy inverse Constant time = space.

Hence Space, time and Energy are constant at 0

M= f E(s) C D M

Where  M is Matter, Eis Energy, S is space, C inverse constant and D Time

The Time thus is dependent on the value of the inverse constant which is totally an imperative of the Energy resolved through its space.

Therefore matter (M) = Energy inverse Constant time = space.

Hence Space, time and Energy are constant at 0

E              =    f(M/SCD)

  

Where E,

Then    F(M/SD  = C

Whereas the state of the Energy is Zero, the Space and time ceases to exist, then  the Constant  assumes function as the “Zero” particle,  the point of  divergence  of Time – Space – matter-  represented by the  three  sounds “Aa” … “Gn”  “Im”  which is collectively “ AGNI” where “Aa” or time  forms the takeoff note and is an invisible component.

Agni integrates a multitude of values attributed by its functions, that can be derived from the inherent nature of the emerging wave forms from the Zero particle to the entire gamut of formations of the universe in a sequential order. Thus Agni confers the universe with a predetermined function and time set to the scale and value that forms the ‘universal consistency or the “Universal Constant’, a functional value that led to the formation of particulate structures or elements.

 The universe at that point of time it looked like spectral bandof vibrant radiations all over with collisions and deflections that kept on expanding  and expanding till its finite level( ) generating of an induced field effect.  The induced fields (  accrued more and more energy that acted as a compressive force.  The matrix of the universe thus turned to be a precise field with an outer matrix forcing the inner core to tremendous pressure thus setting in a series of fusion and fission of wave forms producing a massive particulate cloud. The cloud has enough freedom for its outer matrices to move further outwards. Agglutination of the clouds based on its energy levels made way for distribution and interspacing of particulate matter that formed the core structure of the universe giving rise to different galaxies or Mother Structures.

The primordial structure with its high energy levels acted as the ‘Breeder’  for all  particulate structures that kept on getting ejected out-  Thus the ejected structures kept on moving out wards but remain attracted to the core of the  Mother structures. This continuous processes led to ‘Spatiation’ and formation of the universe as it is, and the process is continuous.

Rig Veda do not propagate any explosion of any big mass. It leads to a theory of field effects that generated galaxies from a single process of particulate emission- Universe is a phenomenon of speciation by proto-energy fields.

Thus the Vedic System  elucidated AGNI, as the universal constant of oscillation (Ga) between two constants  and Ni  leading to the formation of the “Zero Particle” which is the  point of divergence  of the entire matrix of the universe. Matter exists in a given form subject to the conditions of its formation and states in which it continues to exist within energy fields.

 Agni, the principle of the simultaneous formation of particulate structures. The Vedic theory extends to the field effect that hold the cosmic bodies in its spatial positioning that continues to be in a state of motion that implies transitions irrespective of the states of matter.

The Rig Veda begins here.

 

 

Acknowledgements:

 

Extremely grateful to late prof. TGP Nair, Dr. NN Moosath for their valuable time on guiding on the sounds. The discussions and interactions with Prof. S Ramakrishna Sharma Dr.SR Krishnamoorthi have been of great help in continuing the work pertaining to the transcription and translation of the Vedas. Express gratitude to Prof. Sunita Singgh Sengupta  for the acknowledging the work with ISOL foundation and Value based Academy of  Management.

 

 

 

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ASTRONOMICAL THEORIES OF INDIA - REVIEW PART 1

VEDAS – KNOWLEDGE DEVOID OF LANGUAGE

  Concept of infinite knowledge stands in conformity with the universal belief that nothing more exists in this universe other than that is embedded in the Vedas.  This system of knowledge based on the traditions of rendering through frequency modulations ( Vang Format) eventually   became redundant to a written format.

The Vedas stand as an unchanged inert system throughout different epochs of human existence as the basic template, in the same format as the genome of the living beings.  The transcriptional process is through the activation of resonances spaced out into modulations or notes as a temporal operation in graphic formations. This structuring and processes are elaborate as the rendering involves definitive number of persons, positioned to give a specific graphic configuration. Graphic configuration of resonances and sounds with its notations and minute nuancestogether with the spacing and time transcribes the information content in to segmental sequences.  Construction or structuring of a derivation can only be generated out of such graphic formations which later on was patronized by different schools. These schools were essentially, Hayagriva, Brahma, Daksha, Prajapati, Atri, Brigu, Vasishta, Kaushika, Angiras, Pulaha, Pulastya, Kapila, Agastya, Valmiki, Gautama and Yamaka. The Veda, which was confined to Hayagriva was transferred to Brahma, from Brahma various branches emerged. Later, Skanda created a system of Cosmology, came to be known as Jyotishamati, compiling and systematizing the works of nearly 1500 generations. This was later re interpreted according to the functional needs of schools from Atri to Vasishta that came to be known as Hora Shastra or Science of time. From here, Kaushika reworked and created his own school of Hora Shastra. Further, Kaushika invented the Geological time scale confining it to the Solar system, with sun at the center called Gayatri. This led to the formation of Triparnas or Schools of Triology truncating the Vedas according the system of Gayatri. This systematics eventually led to the creation of a new system of Pre, mid and terminal systems known as Rig, Sam and Yaj-ur. This was patronized by the school of Brahma under three resonance bases, of Ahh, Ooo... Hmmm, which is the basis for the trilogical rendering. Rig is base resonances, Sam is midrange and Sam is nasal in ovation. Three resonances with its graphic conformities in rendering form the basis of transcription    in a format characterized as VaaNg. Vaang  is structured on the P’- Rra- Krut or that which is  derived nature- wind,   rain, thunder, rolling stones, falling leaves and trees, the sounds of animals coupled with gestures of  expression – movement and positioning of hands, head, eyes, eye brows, to and fro movement of body in vertical axis. The most intricate system of each has its integral values confined in an octave system. Later the school of the Sage Yajnavalkia added many of the interlinking factors to the three Vedas and incorporated all advancements of another epoch, which most of the schools of Triology accepted as the fourth Veda and some decried as “ill or negating” Veda – the Heena Veda.

With the elucidation of Gayatri, that invokes the development of extra cranial intelligence to a state whereby a human brain could compute “Sahasra” or 51.9 million permutation combinations of numeric-resonance –alphabetic system- the highest achievable intelligence.  Gayatrification of human body and sensory perceptions takes one to extra cranial intelligence or perceptions of prior, existent and prosthetics. The numerical system  (Saankhyam), Resonance system (Naadam) and Alphabetic system (Aksharam) together configures Vedaksharam. This can be termed as a numerico-alpahbetic –resonance system or Sankhyaakshara Naada samyogam.

Their numerical system or Sankhyam  is progression encoded in the Gayatri system to elucidate the derivations and explanations in the Vang format   follows the  basic principles of  conditioning of the intrinsic and extrinsic environment.  The intrinsic environment includes the   physiological, Anatomical and psychic through systematizing living conditions, routines, food, breathing, control of emotions and instincts, optimizing the cor ordination and integration function with respect body functioning and reflexes. This leads to activation of a systematic way of resonance generation, frequency control by extending the breath, sourcing off from the abdominal, chest cavity, the lower and upper palates, teeth, and nasal cavity to Centre of the skull.    The second process is the generation of Biogenetic energy field that transforms the self to a Bio-ionic system, thus generating an ionic activation of immediate environment. The third Process is the “Harp”. Harp involves the emission of certain resonance frequencies through the Bio-ionic system into the atmosphere. These frequencies were developed by trial and error methods that can create ionic changes that can induce changes in the environment. The sounds or nada attains a finite structure by these process, which configures the base of the Vedas which is termed as “Sruti”. The concept of frequency base of rendering originated from here, which came to be adopted in the Indian Classical music. Sruti of the Vedas is Brahma Sruti or Cosmic, which is intermediary of rumblings of thunder, wind, lashing waves of oceans and rumbling of geophysical layers- to be called the Basic Sound of Universe.

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Thus the attenuated resonances ( Naada) or  segments of  sound (dhvani or Sabda) or  attains a definitive structure that has a plane, ascend, peak squaring plane, decend and  landing plane to the same base.  Duration of each phase is a sub segment or upa khanda and  upakhandas  together configure a segment or a Khanda and Khandas together make sound or Dhwani.  Such attenuated sounds with its characteristic field effect or energy levels is called “Mantra”. Therefore, a mantra is “a resonance with a specific energy field generated through the attenuation of segments of a sound or of an array of sound frequencies with a gradient of time” Sequences of such frequencies that generate an energy field within and around its source (the self) accrues a characteristic form of a radiant light frequency. This radiance produced from the resonant energy that is termed ‘power of the mantra’ (mantra Sakti).As each frequency of resonance attains specific field it will have certain impact in the physical and biotic environmentandmay extent to infinity. Those that extend beyond the   immediate environment will act as a system of “probe” that transgress into any object. This noninvasive system of probe that emerges from the human system is termed as “Emitted radiance” or “Vikshepa”. The emitted radiance reflected back and is  by the sender or or more with identical energy levels  are termed as “Akshepa”. “Akshepa” is visualized form and is concise and is characterized as a Pix cell or “Bindu” that is central to all “Yantra” and is drawn to a definitive scale. Yantra is the first graphic format of Information and communication ever developed by the human beings. It was before the alphabets were shaped. Gyatri marks the beginning of perfection of the communication system and is the gateway to unravel the Indian System of Knowledge termed as the Vedas in the Vang format.

           

Gayatri system addressed the long pending requisite for standardizing time. Gayatri incorporates most intricate system of codification, variables, Samyogams or integrated functions, fundamental operations and Geo-metric functions altogether theorized into a convergent form.  This spatial system and its derivations form the basis of the convergent point of ‘O’ or ‘0’ which has the first point of locus resonating “Aa’.  Thus Vedas every segment of a sound of the Vedas configures an intricate code. Functionally these codes are identical to the codons of the genetic system, thus, theVedas are the genetic endowments of this universe. In situ, as it uncoils, octamers, base pairs, sequences with palindromes  with a visibility as octamers, or Ashtakshari. The next stage is affixed in the progression of Gyatri or Kaushika Progression as in Atre.

2. GAYATRI

. Surya Gayatri  the Gayatri Mantra was created bythe great Kaushika who rose to the tiers of Brahmarishi Rishi ( Sage of Cosmology) Viswamitra  who is central to Rig Veda.  Kaushika acquired knowledge through long meditative process of penance or Tapa.  He challenged the contemporary schools, most pertinently that of the Sage Vasishta. A reference on the sequence of events is reflected in the Brihaschounaka Hora. During the penance for attaining equal status with Sage Vasishta, Kaushika realized that Vasishta has a Hora Sastra (Science of Time, Atronomy) to his credit. (Hora is the duration of the planetary movements with reference to earth, which later on became adopted as hour in the Latin and English languages as Hour).

Vasishta Schools  taught “Jyotishmati” a great treatise created by Skanda. Skanda Passed on his original work to Brahma.  Brahma taught Daksha who in turn taught his brother Marichi who was also sage. From Daksha and Marichi other sages, Atri, Vasishta, Angirass, Pulaha, Pulasthya, Brighu and Kruthu learnt Jyotishmati. Only these ten Sagesof that time had mastery this great work. It was not learnt by the next generations as a subject, but was later encoded in Atharva by Sage Yajnavalkya.  Kaushika had no knowledge of Skanda Ganita or the mathematical schemes of Skanda, which involves the basics of Astronomical Calculations. He studied Jyotishmati with his own interpretations and application of mind and composed a Hora Sastra. He made every possible attempt to contradict Vasishta. However, the Schools of Vasishta ridiculed it as Kaushika Hora.

The long years of conflict with Vasishta and penance of Kaushika led to the formlation of Gayatri. Vasishta himself met Kaushika and acknowledged this great work and Kaushika was given the title of Viswamitra. The title of Viswamitra can be interpreted as VISWA- (UNIVERSE) - MITRA- (BINDING FORCES of ATTRACTION) - as one who can perceive the entire universe without a winkle of the eyes. Or else, as the one who scaled the Universe- VISWAM (UNIVERSE)–ITRA. (MEASURE).

2.            UNDERSTANDING GAYATRI-

Kaushika attained the status of a Rishi Viswamitra after he had elucidated equations and theories into a schematised Mantra.  Towards achieving this this, derivations of astronomical values were important. Time had to be integrated with that of  the position of the Constellations. Time he calculated as a measure of the interdependent integers of the positions of other galaxies and the core of the universe and equated with sun at the centre.  Gayatri, thus was contrary to the notions and treatises of his predecessors including Skanda.

The priciples or Tat-va  to  understand a Mantra involves complex process and applications of different schemes. The right to decode such derivations and find its functional applications was vested with specific schools that came to be known after its proponent- a system of patented right of information dissemination.

Gayatri     attained stature of a basic mantra and was let out in the public domain to worship the Sun, with the meaning more or less like: - ‘we meditate on the glory of the Creator; who is worthy of Worship, Who is the source of knowledge, who is the bright light, May he illuminate our intellect. ‘

  

Kaushika identified fifteen plosive sounds and annealed it through a process of annealing to generate radiant probe system of Vikshepa and Akshepa. This radiant energy was further activated to achieve the transgression of perceptive senses into the depths of universe.  Gayatri comprises of fifteen elementary variables 

(1)  Bha, (2) Ga, (3) Da,  (4) Dha, (5) Ta, (6) Va, (7) Sa, (8) Ya, (9) Rr’ (10) Ha, (11) Ma, (12) Na, (13) N’na, (14) Pa and (15) Cha.

.Choice of 15 sounds is significant in relation to the rotation of the Earth , thus defining one diurnal cycle in 238 Bhur.( 23.8 hours approximated to 24 hrs.)

4.    Understanding Gayatri

The schematic process for unravelling Gayatri and its derivations  embedded witin Gayatri itself. Ga Ya tri. Endorses  tri or 3 .. the sequential order. Numerals 1, 2, 3 is a value that is centric.  

1+2+3 = 6

1x2x3 =  6

Gayatri     attained stature of an elementary mantra in praise of Sun or   therein with the meaning more or less like: - ‘we meditate on the glory of the Creator; who is worthy of Worship, Who is the source of knowledge, who is the bright light, May he illuminate our intellect. ‘Gayatri is encoded in the 3^rd Mandala or book of Rig Veda.

 1.     BHUR BHUVA SVA

Letter	Numerical Value	Ascribed  Value
BHURBHUVA SWA
BHA	24
RA	40
BHA	24
SA/	90
VA	60	238

  

SVA is not an expression complete with a finitude, it is indicative that total value is not a perfect number, therefore the last digit can be considered as a fraction. So the total value stands 23.8. BHU Units approximated to 24 units

 BHU= 24

Bhu . UR- :: Bhu.VA:: s.Va

Bhu- ur  = horizontal plane =    Bha/ R = 24/40 =  0.6   

Bhu    = Bh’ OO =  .  10³  x0 . 6 = 60 . i.e. 24 units of Bhu,

One BHUR = 60 UR

One UR =  one VA

Va =  60 

 1 BHUR  = one UR x One VA = URVA = 60x60 = 3600  and hence the unit of one BHUR is URVA , and the earth is given the URVI  based on this unit value.

SVA. Sva has half of Sa   with Va, pronounced to give the first half of each of the ascribed values , that is devoid of their zero. To say   S’ = 9 and  half  the value of  the following letter V’  6 being not a finite word  or (poornam as swara) zero values are be omitted. i.e= 9x 3 = 27 Bhu  = One  Sva =

This Yoga or cycle of S’ Va = has been  coined to give the name Savi to the Sun

 One unit cycle of the earth to round the sun is 27 Bhu .based on this Nabha Samyoga and Nava Samyoga calculations that appear in the other Hora Sastras.

SVA  samyoga or Sum is 9 +3 =  12 

BH ur SVA = 24  i.e 24/ 12 = 2

12 + 12 UR   =  1BHUR

12 BHUR  is  Savi or  time earth is exposed to sun in the order 3  BHUR transition from night to day and 9 BHUR as the direct exposure to sun.

 Therefore, i

BHUR BHUVA SWA= 238 units, Unit of a cycle of earth= I BHUVA (DAY)

Rounded into (9+3) + (9+3) = 12+ 12 units = 24 BHUR

i.e., 1 BHUVA = 24 BHUR  ( Hora or Hour)

    1VA  = 60 equivalent to the Seconds

60VA= 1 UR equivalent to Minute

60 UR = 1 BHUR equivalent to Hour

Transitory period from day to night and night to day = 3+ 3 = 6hrs

Effective day light = 9hrs and effective night =9 hrs.

2.    TAT   - SAVITURVARENYAM (ORBITORY CYCLE AROUND SUN)

From the previous Vyahriti, Sun is ascribed the name SAVI and Earth URVI.

URVA + VARENYAM = URVI VARENYAM=  TAT scheme. Saviturvarenyam implies that earth varenyam's or encircles the sun, defining the shape to that of a garland which is elliptical.

SA	90
VA	60
TA	16
RA	40
VA	60
RA	40
NNA	15
YA	30
MA	25
		366

 

Number of days required for Orbiting the Sun is divided along Nine Periods or Mah as per TAT system the number of days is calculated to be 366 days. TAT  is ‘ TRIGUNITHA SAMYOGAM”. As indicated in the previous code it has application of Nava Samyoga ( cumulation of 9) and in the present code it is Triguna Samyoga ( cumulate of 3).Trigunam  or Constant values of 3  are with Akriti or feature(20) Sankhya or numerical (7) and Aasraya or dependent number(3).By all means , TAT is a Samyoga or Cumulative function.

 The Mah or month is divided into 9 periods totaling 366 days as one savi-tur i.e., duration of one revolution around the sun.  These periods do not identical number of days to 30 31 and 28 as in today’s calendar.  Viswamitra system, defines the shortest period to be of 15 days and longest period with 90 days, only one period of 30 days and one period of 16 and one period of 15 days, indicates a behavioral change in the generalized lunar cycle of 14 days.

 CALCULATION OF the lunar cycle is given as NNYA-AM. (2+5) =7

NNYa  ( ½ of NNA i.e. NN’  8/2 = 4  added to  Ya ( value of Ya without zero)  =3,  i.e., 4+3 = 7 and AM ( MA = 25) = 2+5= 7 , 7+7 = 14 days  is half lunar cycle or full moon to new moon is 14 days and full moon to full moon is 28 days  the calendar on full moon day reads 0.

Total numerical value of Varenyam independently totals to 27, gives the basis for the astronomical calendar of 27 days.

3. BHARGO DEVASYA DHI MAHIM

 In a four year period, there is a variation of 24 hrs or one day, which he has elucidated through an elaborate method of splitting the days into 8 periods and deriving a variation of 24 hrs and thus arriving at a conclusion that a year has only 365 days. And in 4 years it will be adjusted to 366 days.

   

3.     DHI YOYO NA PRACHODAYAT

DHI elucidates 9 periods. These 9 periods termed as Mahi, or Months. The variations correspond to values as per the system of Yoyo. YO defines the distance between the sun and the earth while earth orbits round the sun.

And is given as Ga ya. Tri.

 GA. YA TRI   ( G’a+ aT’ + R’a) ee

 By the Scheme of Dhi

G’a   x   Y’a  x Ta  x  R’a  x  EE

      (  3x   30    x  16 x 40)  = 57600 x 10²    = 5760000  x  G’ Y’ TA R’a e

Atre -  the number of times as the total value of  the same numbers Gayatri (atre) elucidates a progression of affixing the numerical values of resonaces ( nada or Sound).

0	1 (1+0) Aa	2 (1+1) E	3 (1+2) Uu	4 (1+3) Rru	5 (1+4) Ilu	6 (1+5) Ei	7 (1+6) I	8 (1+7)   Au	9 (1+8) Am
9	10	11 Ta	12 Ga	13	14	15 NnA	16 TA	17	18 Da
2(9)	19 Dha	20	21 Pa	22	23	24 BHA	25 MA	26	27
3(9)	28	29	30 Ya	31	32	33	34	35	36
4(9)	37	38	39	40 RA	41	42	43	44	45
5(9)	46	47	48	49	50	51	52	53	54
6(9)	55	56	57	58	59	60 VA	61	62	63
7(9)	64	65	66	67	68	69	70	71	72
8(9)	73	74	75	76	77	78	79	80	81
9(9)	82	83	84	85	86	87	88	89	90 SA
9(10)	91	92	93	94	95	96	97	98	99
11(9)	100 Ha	101	102	103	104	105	106	107	108

                                

Kaushika progression: Numerical values of sounds in the order of values beyond eight. All sounds do not have representative alphabets, can only be represented through numerical positioning.  Numerical position and value s together with an alphabet render an expression that may be a word or a sentence or more in volumes. This system of progression innovated by Kaushika.  Madhu Chchanda is a complementary system to Gayatri

Ga=3+ y’= 3+ t’=16+ r’ =4 , total  26

 5760000 x (3 +3+16+4) = 5760000 x 26 = 14976,0,000 YO as the distance between the earth and the sun.

Viswamitra   expounded his theories in Gayatri .that can be summarized as:-

 Theory 1. 

Rotation of the earth accounts for the    day and nights. Earth completes one cycle in twenty four hours, 12 hours day and night, 60 seconds make one minute, 60 minutes make one hour and 24 hours make one day.

 Theory 2.

“Prachodaya or Prachir Udaya”. Rotation of the earth accounts for the appearance of the Sun as rising in the east,  

Theory 3 .

“Saviturvarenyam” or revolution of the earth around the Sun accounts for nine periods or  Mahim or months.

 Theory 4.

Orbital path of the earth around the Sun is Oval or elliptical

 Theory 5.

Rotation and revolution and the distance factor with the Sun and Moon and the cycles all together accounts for the Gravitational force .

 Theory 6.

 Gravitational force is the reason for weight.

 Theory 7: 

 At the end of every three years, one day accumulates that gets added to the 4^th year and that is Leap year.

 Theory 8. 

 One unit of Gayatri, YO, the distance between the sun and the earth is calculated near to perfection, may be correct on approximation at that point of time.

 Gayatri denotes One Astronomical Unit as the distance between Sun and the earth as 14976,0,000 YO 

This understanding of time led to the codification of the Knowledge systems into a classified format. The question on the origin of the Vedic system is beyond comprehension, as the  Veda were in existence prior to the Kruta yug.   Vedas are beyond what it is understood, as explained in Hayagrivopanishad in Atharva Veda. Hayagrivopanishad throws light on Hayagriva restoring the Vedas to Brahma.  Hayagriva is represented with the face of horse an incarnation of Vishnu and the interlink here is of Goddess Sraswati , the mother of  Vani ( sound) and Letters (Akshara).

After the Vedas were stolen, the realization that Knowledge cannot be concealed.  Under the patronage of Hayagriva, the four Rishis Brahma and Surya, Atri and Bhargava, systematized the  Vedas based on the Schemes of Gayatri, Anushtupa and Trvashtupa.  Gayatri system was retained by Brahma and Surya, Anushtupa  was with Atri and Trvashtupa was  vested with Bhargava.Gayatri continued to be format of the basic template and deal with higher orders of Knowledge system that is not for the consumption of the general public and other categories of scholars.

 Anushtupa was configured for the purposes of  Anushtana or systematic living and rituals, for the societal welfare  (Praja palanam)  and Purohitam ( welfare of the city state) it is meant for different tiers of the society including ruling class.

Thrvashtupa stream contained the foundations for public utility meant for Public, based on the division of labour.

Anushtupa gave birth to Tantra and mantra systems and upa vedas of Ayurveda and  Gandharva veda Samhitas or Parenthesis and Teratises . Trvastupa created branches of Stapathya or Archetecture, Dhanurvedam . Respective schools developed Sidhantas and Upanishads, Ithihasa(history) and Purana ( epics) for diversification of their respective branches. Vedic finally landed in the hands of  V who created a yasa leaving written form of the Anushtana Veda under three branches of Rig, Sama and Yajur and later Atharva was compiled by Yajnavalkia . Vyasa created Brahminical schools and   Gyatri was made the basic foundation of Brahminzation. Initiation to Braminism is by imparting the key mantra of Gayatri to open up the Upanayanam and giving the Holy thread of Yajnopavaeetam or Janayu. Yajnopaveetham is the symbolism of the genome or the basic information system of the Vedas, to which one gets entitled to accrue there on.  

Gayatri is the basic foundation to open up the vast space of the Vedas.  Turn of events and geo political transitions led to situations whereby Gayatri turned out be a Mantra for the invocation and observance for the Sun God. Underlying Schemes to transcribe the Vedas to the diversified branches of knowledge   lost. Some schools like Kapila to Valmiki and Agasthya propagated the Sankhyam-the numerical and Ganita systems, Bhargava and Bharadvaja schools worked on the Dhanurveda and worked out up to Vimana Sastra or Avionics. After the extermination Tvashtr, Viswakarma school further developed the system of Sthapatya Veda including metallurgy and architecture. Kapila, Gautama, Valmiki and Agastya schools developed Ganita and Astronomy, Asvini and Dhanvantari, chyavana and Agastya  schools developed Ayurveda the rest of all the schools remained purely ritualistic. Dhanurvedam that imparted skill, management, administration and defense eventually was lost with the end of the Prajapatis or the centralized rule of the Indian continent.

The new generation witnessed the convergence at Naimisharanya with the Sage Suka there upon the emergence of Samskrutam format takes it origin and becomes popular as the Brahminical Schools and reaches its pinnacle with Paanini and Pathanjali. The linguistic schools created the schools of logic and gave birth to the literary and performing art forms. Without patronage, the Primary Vedic Schools suffered setback.

Understanding Gayatri Scheme is the way to get back to the Vedas as it was drawn. Gayatri Scheme was a means to have the basic format secure and protected to be free from misappropriation.