Monday, January 21, 2013

REALISING THE VEDAS- VEDAKSHARAM


ISOL , TEZPUR , NOVEMBER, 2012

REALISING THE VEDAS

                                            VEDAKSHARAM
                                                                                Krishna Kumar MB
ABSTRACT


North east India is the seat of elementary knowledge. Recent history depicts the founder of Sikhism Guru Nanak who had meditated in a cave at Machuka in the Indo China Border and to have attained enlightenment there. Where as, in the ancient times Guru Padma sambhava is believed to have travelled through this part on his way to Tibet to preach Buddhism. Adi Sankara came and meditated at Kamakhya peeth. Medieval history again has the imprints of the Guru Tej Bhadur of Sikhism having set foot in the Dhubri.  It is in this holy land that Parasurama did penance. Most significantly, it is the place where the great Srimanta Sankardeba kindled the flame of cultural renaissance and satra traditions.

The seat of Tantric traditions, and Jyotisha, natural medicine, Shakti cult, and a lot more was added from this region to the Indian system of Science and Technology. It is in these eastern Himalayas where impellers were designed for harnessing the force of flowing waters, which the fore runner of the hydro electric power generation. It is here that the first ever census took place in the human history and Food production to population ratio was put to practice among the indigenous communities. More over, silk route takes its origin from our Bodoland.  And even today, it is the home of the prestigious Golden Muga silk. Even if the modern civilisation perishes, a new civilisation will be born from the elementary knowledge base of the North eastern part of India.
From this land, it will be relevant to have a look on the Vedic system. What we have today with us is the script form, believed to be written compiled by Veda Vyasa. Though written, Vedas have the basic structure and format that is in the Vang form. It has a pattern, inlaid structure and principles to derive its knowledge base. Sankhyam or alphabetic based numerical system, linguistics, commentaries, vedicology, Indology, and an array of streams developed over a period of years. Yet, we still keep on saying Vedas are codifications of technology. Except for the claim of Satish Chandra of www.agragami.in  who used Purusha Sookta to develop static energy, no technology has come up. Even Satishchandra’s works, which could have been a frontier technology failed to be put to use. 

This fresh approach is based on the understanding on Vedaksharam or alphabets of the Vedas in a format that is alphabetic numerical resonance system. By this method, Gayatri scheme is to derive the scientific equations, where as Madhuchanda scheme gives the descriptions.  Combining these two schemes the scientific base of the Vedas can be realised.


Realising Vedas
VEDAKSHARAM

1. Probe

Vedas are hymns or mantras.
A mantra is an “energy field generated through resonance of definitive sound frequencies produced within a definitive constellation period” This constellation period is the defined time.

Any sequence of such sound frequencies that generates an energy field within and around oneself is in the form of a radiant light frequency, can be characterized as a ‘Mantra’ that can be a single sound or a word or a verse. This self radiant energy field serves as the “Probe” to intercept, explore and analyze the systems.

Therefore, the knowledge originates in the wave formations of light. The radiant probe that emerges from the human system or the Emitter can be termed as the “ Emitted radiance”. Or “Vikshepa”. Radiance , so  Emitted  intercepts or probes the space or objects or organisms or specific areas or objects  that may or may not include matter and is  received  back to the source of the emission as the “Radiant Information Signals”  or ‘Akshepa’. The Radiant Information Signals of Akshepa and Vikshepa are transcribed in the form of a Visible resonance – in a language format, which is termed as knowledge.

A predetermined volume of such Information is with highest order of precision and is  concise   as a single point ( Bindu). This single point of resonance serves as a compressed information base or the “Biotic Generation of Ionic Signals”. Or Biogenic Signals and it serves as the template for further deciphering of the voluminous data.

Every resonance that generates a Biogenic signal is the fundamental unit of the Vedas that constitutes   Vedaksharam. To understand and assimilate Vedas, “Radiance to Resonance” is the applied methodology. The basic Scheme of resonance is a time based system in synchronization with the geo systems is expressed an abbreviated form known as Gayatri. System of Gayatri is beset in the central point (Bindu) and is in conformity with the axis of the radiance system and the receptor systems. Gayatri establishes ‘Mantrasya Mantra’ as the apt system.
‘Ma’n’ trasya’, some thing that is imbibed and in a state at which  ‘Ma’n’ and ‘Mantra’ cannot be distinguished as what is what, at the same time that which radiates sporadically from the mind or ‘Ma’n’ is what is called a Ma’ntra.  This radiance transforms into resonance and it comes out through the body surface as static energy and the field effect of mantra as envisaged by Gayatri mantra is precursor of Biotic Generation of Ionic Signals or Biogenic Signals and the Bi- ionic principle.
When a sound is heard and perceived, a system of perfection and precision is achieved in the manner it is spelled out or resonated and has more visible ranges, modulations and frequencies, which is a multi dimensional graphic structure that get imposed in the sensory perceptions. Whereas, the same when written, it gives an anatomically flat   representation and gives enormous freedom to read as one desires. In a written form when it is read as one desires, the intonations, modulations, and all nuances will differ from person to person, or with the same person, depending upon the time and mindset.   Whereas in the heard and perceived system, form the essentials are retained as such with all components in its right position and time frame.

In order to have a restriction on this freedom, it was important that the Rishis or Seers to develop a technology of drawing the knowledge bases into a systematic process. Thus, based on the Technological frame work of Gayatri, Vedas were drawn with a crystallized form known as “VANG

Drawn and written are totally different processes. Drawing  is highly precise and is a graphic representation , in which every point of spatial distribution of a resonance assumes geometric patterns and accrues a shape with the posture and gesture of the persons from whom the sound is generated together with the positions of the persons and their formations .   There were scriptures even before The Vedas were drawn, that was   ‘Pra-krut’, with no such precision and structured on the basis of Gayatri.

When it matters to Vedas, the question of how precisely a systematized streams of knowledge could be abbreviated and drawn as symbols  with precision, at the same time with surface structures of    varying expressions . These surface structures represent the morphologic system of knowledge. This is the basic schematisation in the Kaushika System of Gayatri. 

This system addressed the long pending requisite for standardizing time. Gayatri incorporates most intricate system of codification, variable functions, vectors, scalars, Samyogams or integrated functions, fundamental operations, Geo-metric functions and theorizing into a convergent form. This constitutes the foundations of Indian systems of Knowledge Bases.

Indian system of Knowledge bases begins with dimensional values of the space.  The matter is secondary to space.  Particulate structures are existent forms, where as space is the precursor or progenitor of matter.  This necessitated the devising of a technology which can withhold space within its functional imperatives. 

To bring out the theories and explanations, derivations and the entire volumes of Space Sciences,   could have been the declared task of Indian Space Research Organization and Indian Physical Research laboratories.  However, it has not so far happened. This spatial system and its derivations form the basis of the convergent point of ‘O’ or ‘0’ which has the first point of locus resonating “Aa’.

With this theorization and codification integrated in Gayatri,   the Aksharams or Letters were drawn in space with cosmic radiance, a technology which was developed by Kaushika who became elevated to the stature of Brahmarishi.   Gayatri was the first created in the space which implied that, the knowledge base will never be wiped off from the universe, even if human race and the earth and the Milky Way perish. Some where it will be perceived by some form of life, and the Vedas will be reborn. This is the principle of eternity and continuity of knowledge.

It is therefore evident that, Vedas are not written in any language, it is an intricate code, in function equivalent to the codons of the genetic systems. Vedas are the genetic endowments of this universe.

In situ, as it uncoils, octameres, base pairs, sequences with the bilateral symmetry   with a visibility when it is elevated to next  position of numerical value of 9(nine) with a centric position of 5 (five)  become visible.  This element stage of five in the system is the genesis of Five Principles or Tatva.

Thus, the  peripheral or outward   meanings of a Mantra, as defined by  Gayatri,  is used to scribe the precedent and later scriptures, that  eventually came to stylized scientific form  of language- the Sanskrit. Based on which the Vedas were interpreted and the scientific systems had a Natural Death.

Vedas are not drawn in a language, it is the Vang form. Vyasa inscribed this format with the scheme of Madhuchanda synchronised with Gayatri. Every Vedaksharam therefore has a structure, positional function and is a precursor that forms a template from which the derivations are derived. And the template remains unchanged, and continues to be as such. This is the basic reason why the Vedas are unchangeable, or cannot be altered, and nothing more can be derived than what is drawn in it.


2.    PRECURSORS or ‘SROUDHARA”

“Sr-a O- UDHARA’ – sequential flow of resonances SRA –O that have created visible forms are’ UDHARA” or projected to give rise to the base from which a Vedaksharam is drawn is called it precursor.
Every letter has a precursor in a different form that has no structural conformity with the finally drawn form. Precursor of the letter or Vedaksharam, symbolizes the characteristics and functional properties of   a Nadam and sabda so derived to constitute a word. This word forms the key resonation or Dhwani.   Dhwani is the basis that is SRA- Heard and UDHARA Projected. Dha'ra means earth and adhere means lips, Soar means hearing or heard.

Sra – also means effort, udhara means taken out from, dhara means sequential flow.
Sa – soonya – from infinity, undivided infinity to infinite variety that gives the finitude of indestructible Vedaksharam.  In the depths of eternal silence, the shearing sounds of radiations were like thunder. An impatient wait of ages, to get hold of the moment that the rumbles of the universe are muted and the base reverberations could be heard. This base has the characteristics of the sum total of all traversing sounds since origin of space.  This explores the cosmic design that has synchronous existence with the elements of the universe. What is left today could be perceived even after several millions of years. It is in the space.  It is timeless and is irrespective of matter.

Letters Vedaksharam do not represent a flat structure. It is not drawn on a flat two dimensional or 2D   mechanics. Every Vedaksharam are represented or drawn as the mechanized systems or Yantras that have spaceless –Timeless configuration. Thus, the resonances of Vedaksharam Extends to the atmosphere and creates a space of its own and the same time   it extends the scope of creating corresponding space in the central core of the universe. It addresses the dimensions and derivative values of the core of the universe where, the particles take shape and are radiated to gain momentum, to constitute larger particulate structures thus forming the fine layer of our knowledge base. . This is the central core of space that forms the primordial point or “Beeja Bindu” from where radiant energy originates and diverges  is the “Brhama Mukham” or cosmic face. It is here that ‘SROUDHARA’ took its form and shape, and is perceived. This is the process of traversing in reverse time scale.

The  process of  traversing  in  reverse time scale to  affix the values with out relative functions or states of matter  is represented by “ONE” (1) that is   “ Aa”  (1) gets raised  to the value of “0”   (1)0 and  “ 0 “  has the finitude Value of Infinity. These three values have positional function and integrate to attain the same value of the infinite. This infinite and “0” disseminated to the value of “one”, equates the   position of the core of the Universe. A resonance wave with an infinite amplitude oscillation equals it to a decimation of one to a root mean square value in sequential progression where by the mean value equals to one, with functional value equals to zero in the state of oscillation where by one zero and infinity are unrecognizable, that functional resonance is the base value of “SROUDHARA” or the precursor of the nada or resonance of Vedaksharam.

Precursor, thus formed as the resultant derivation of a functional attribute of the its own function generates a space of its own to have visible presence or physical existence in the state of radiant energy  in its state of formation  Akshara Khanda (Segment).  Each Akshara Khanda with its sub segments or Upa-Khandas constitute the space within the space to produce a structural conformation of a mechanized system or Yantra that inscribes within the internal space the entire gamut of the technologies, derivations, terminologies, calculations, operations and functions. Integrated function of these spatial mechanisms constitutes a Vedic letter or Vedaksharam.


3.    A_K’SH”ARA KHANDAM
Every vedaksharam has a sequence of “Khanda” or regular segments.  Every sound is expressed through carrier sounds that are represented by an ‘Upa Khanda’ or sub segment.  Sub segments imply the value based numerical systems and its operational applications and the derivatives in conjecture to the other Upa Khanda, which is beset in the intonation and the nuances thereby creating the formations that give the rise to a defined sound. Thus with Upa-Khandas and Khandas a letter or vedaksharam is drawn to a scale.    The positional application of a letter is predetermined through this scheme. Every letter is rendered with symmetry, linear, vertical or horizontal.
Every letter is a solid multidimensional, and it represents a phenomenon, processes, applications or their extensions, expressed through its sub-segments, segments and in totality as expressed along with its carrier sounds of prefixes and suffixes of the letters or precursors.


4.    AKSHARA BANDHA  or BINDING OF LETTES
Binding letters to its positions give the right meaning and at the same time defines its function with precision and visibility without interphases.
It involves two phases (1) sequencing of the sub segments  into  segments and then interlinking the sub-segments into a segment or ‘Dhat’  or “unitary” information which is independent in itself  and ( 2) spacing or positioning the ‘DHi’ into two letter word or “Binary” information system to produce larger information databases or ‘TAT’ . ‘DHi’ and ‘TAT’ constitutes a “module” or ‘Mantra” giving rise to Sankhya_Akshara_ Nada _Samyogam. Here Gyatri took its origin.  Gayatri in the Sankhya- Akshara_ Nada Samyogam or numerical alphabetic resonance system opens the Rig.
CONCLUSION
Vedas have been treated as verses written Samskrutam or Sanskrit. Different streams of knowledge took its origin from the Vedic scriptures. Over a period of time, what Vedas are as it would have been came to be unknown. Different Schools came into being during the successive Manvantaras or ages of socio-political transformation and is continuing even these days. Skanda, Parasurama,  Chyavana, Panini, Pathanjali, Kapila, Dattatrya, Agastya, Charaka, Susruta and so an to todays Indology, Vedicology and so on. Yet, the real understanding on the Vedas could not be attained. One of the systems of the realising the Vedas is Sankhya_Akshara_ Nada- Samyogam, which is one of the systems of the Vang Format. Vang is the format in which Vedas were originally drawn. Gayatri holds the key to understanding and realising the Vedaksharam. Vedaksharam is a formation of Bindus in a sequence to give rise to its sub segments and segments or Khandam and its sub-segments or Upakhandam.
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To realise the Vedas, vision and understanding of Vedaksharam is basic and understanding as what it is.

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