Thursday, April 9, 2015

ASTRONOMICAL THEORIES OF INDIA - REVIEW PART 1



VEDAS – KNOWLEDGE DEVOID OF LANGUAGE

  Concept of infinite knowledge stands in conformity with the universal belief that nothing more exists in this universe other than that is embedded in the Vedas.  This system of knowledge based on the traditions of rendering through frequency modulations ( Vang Format) eventually   became redundant to a written format.

The Vedas stand as an unchanged inert system throughout different epochs of human existence as the basic template, in the same format as the genome of the living beings.  The transcriptional process is through the activation of resonances spaced out into modulations or notes as a temporal operation in graphic formations. This structuring and processes are elaborate as the rendering involves definitive number of persons, positioned to give a specific graphic configuration. Graphic configuration of resonances and sounds with its notations and minute nuancestogether with the spacing and time transcribes the information content in to segmental sequences.  Construction or structuring of a derivation can only be generated out of such graphic formations which later on was patronized by different schools. These schools were essentially, Hayagriva, Brahma, Daksha, Prajapati, Atri, Brigu, Vasishta, Kaushika, Angiras, Pulaha, Pulastya, Kapila, Agastya, Valmiki, Gautama and Yamaka. The Veda, which was confined to Hayagriva was transferred to Brahma, from Brahma various branches emerged. Later, Skanda created a system of Cosmology, came to be known as Jyotishamati, compiling and systematizing the works of nearly 1500 generations. This was later re interpreted according to the functional needs of schools from Atri to Vasishta that came to be known as Hora Shastra or Science of time. From here, Kaushika reworked and created his own school of Hora Shastra. Further, Kaushika invented the Geological time scale confining it to the Solar system, with sun at the center called Gayatri. This led to the formation of Triparnas or Schools of Triology truncating the Vedas according the system of Gayatri. This systematics eventually led to the creation of a new system of Pre, mid and terminal systems known as Rig, Sam and Yaj-ur. This was patronized by the school of Brahma under three resonance bases, of Ahh, Ooo... Hmmm, which is the basis for the trilogical rendering. Rig is base resonances, Sam is midrange and Sam is nasal in ovation. Three resonances with its graphic conformities in rendering form the basis of transcription    in a format characterized as VaaNg. Vaang  is structured on the P’- Rra- Krut or that which is  derived nature- wind,   rain, thunder, rolling stones, falling leaves and trees, the sounds of animals coupled with gestures of  expression – movement and positioning of hands, head, eyes, eye brows, to and fro movement of body in vertical axis. The most intricate system of each has its integral values confined in an octave system. Later the school of the Sage Yajnavalkia added many of the interlinking factors to the three Vedas and incorporated all advancements of another epoch, which most of the schools of Triology accepted as the fourth Veda and some decried as “ill or negating” Veda – the Heena Veda.

With the elucidation of Gayatri, that invokes the development of extra cranial intelligence to a state whereby a human brain could compute “Sahasra” or 51.9 million permutation combinations of numeric-resonance –alphabetic system- the highest achievable intelligence.  Gayatrification of human body and sensory perceptions takes one to extra cranial intelligence or perceptions of prior, existent and prosthetics. The numerical system  (Saankhyam), Resonance system (Naadam) and Alphabetic system (Aksharam) together configures Vedaksharam. This can be termed as a numerico-alpahbetic –resonance system or Sankhyaakshara Naada samyogam.
Their numerical system or Sankhyam  is progression encoded in the Gayatri system to elucidate the derivations and explanations in the Vang format   follows the  basic principles of  conditioning of the intrinsic and extrinsic environment.  The intrinsic environment includes the   physiological, Anatomical and psychic through systematizing living conditions, routines, food, breathing, control of emotions and instincts, optimizing the cor ordination and integration function with respect body functioning and reflexes. This leads to activation of a systematic way of resonance generation, frequency control by extending the breath, sourcing off from the abdominal, chest cavity, the lower and upper palates, teeth, and nasal cavity to Centre of the skull.    The second process is the generation of Biogenetic energy field that transforms the self to a Bio-ionic system, thus generating an ionic activation of immediate environment. The third Process is the “Harp”. Harp involves the emission of certain resonance frequencies through the Bio-ionic system into the atmosphere. These frequencies were developed by trial and error methods that can create ionic changes that can induce changes in the environment. The sounds or nada attains a finite structure by these process, which configures the base of the Vedas which is termed as “Sruti”. The concept of frequency base of rendering originated from here, which came to be adopted in the Indian Classical music. Sruti of the Vedas is Brahma Sruti or Cosmic, which is intermediary of rumblings of thunder, wind, lashing waves of oceans and rumbling of geophysical layers- to be called the Basic Sound of Universe.
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Thus the attenuated resonances ( Naada) or  segments of  sound (dhvani or Sabda) or  attains a definitive structure that has a plane, ascend, peak squaring plane, decend and  landing plane to the same base.  Duration of each phase is a sub segment or upa khanda and  upakhandas  together configure a segment or a Khanda and Khandas together make sound or Dhwani.  Such attenuated sounds with its characteristic field effect or energy levels is called “Mantra”. Therefore, a mantra is “a resonance with a specific energy field generated through the attenuation of segments of a sound or of an array of sound frequencies with a gradient of time” Sequences of such frequencies that generate an energy field within and around its source (the self) accrues a characteristic form of a radiant light frequency. This radiance produced from the resonant energy that is termed ‘power of the mantra’ (mantra Sakti).As each frequency of resonance attains specific field it will have certain impact in the physical and biotic environmentandmay extent to infinity. Those that extend beyond the   immediate environment will act as a system of “probe” that transgress into any object. This noninvasive system of probe that emerges from the human system is termed as “Emitted radiance” or “Vikshepa”. The emitted radiance reflected back and is  by the sender or or more with identical energy levels  are termed as “Akshepa”. “Akshepa” is visualized form and is concise and is characterized as a Pix cell or “Bindu” that is central to all “Yantra” and is drawn to a definitive scale. Yantra is the first graphic format of Information and communication ever developed by the human beings. It was before the alphabets were shaped. Gyatri marks the beginning of perfection of the communication system and is the gateway to unravel the Indian System of Knowledge termed as the Vedas in the Vang format.
           
Gayatri system addressed the long pending requisite for standardizing time. Gayatri incorporates most intricate system of codification, variables, Samyogams or integrated functions, fundamental operations and Geo-metric functions altogether theorized into a convergent form.  This spatial system and its derivations form the basis of the convergent point of ‘O’ or ‘0’ which has the first point of locus resonating “Aa’.  Thus Vedas every segment of a sound of the Vedas configures an intricate code. Functionally these codes are identical to the codons of the genetic system, thus, theVedas are the genetic endowments of this universe. In situ, as it uncoils, octamers, base pairs, sequences with palindromes  with a visibility as octamers, or Ashtakshari. The next stage is affixed in the progression of Gyatri or Kaushika Progression as in Atre.



2. GAYATRI
. Surya Gayatri  the Gayatri Mantra was created bythe great Kaushika who rose to the tiers of Brahmarishi Rishi ( Sage of Cosmology) Viswamitra  who is central to Rig Veda.  Kaushika acquired knowledge through long meditative process of penance or Tapa.  He challenged the contemporary schools, most pertinently that of the Sage Vasishta. A reference on the sequence of events is reflected in the Brihaschounaka Hora. During the penance for attaining equal status with Sage Vasishta, Kaushika realized that Vasishta has a Hora Sastra (Science of Time, Atronomy) to his credit. (Hora is the duration of the planetary movements with reference to earth, which later on became adopted as hour in the Latin and English languages as Hour).

Vasishta Schools  taught “Jyotishmati” a great treatise created by Skanda. Skanda Passed on his original work to Brahma.  Brahma taught Daksha who in turn taught his brother Marichi who was also sage. From Daksha and Marichi other sages, Atri, Vasishta, Angirass, Pulaha, Pulasthya, Brighu and Kruthu learnt Jyotishmati. Only these ten Sagesof that time had mastery this great work. It was not learnt by the next generations as a subject, but was later encoded in Atharva by Sage Yajnavalkya.  Kaushika had no knowledge of Skanda Ganita or the mathematical schemes of Skanda, which involves the basics of Astronomical Calculations. He studied Jyotishmati with his own interpretations and application of mind and composed a Hora Sastra. He made every possible attempt to contradict Vasishta. However, the Schools of Vasishta ridiculed it as Kaushika Hora.

The long years of conflict with Vasishta and penance of Kaushika led to the formlation of Gayatri. Vasishta himself met Kaushika and acknowledged this great work and Kaushika was given the title of Viswamitra. The title of Viswamitra can be interpreted as VISWA- (UNIVERSE) - MITRA- (BINDING FORCES of ATTRACTION) - as one who can perceive the entire universe without a winkle of the eyes. Or else, as the one who scaled the Universe- VISWAM (UNIVERSE)–ITRA. (MEASURE).


2.            UNDERSTANDING GAYATRI-

Kaushika attained the status of a Rishi Viswamitra after he had elucidated equations and theories into a schematised Mantra.  Towards achieving this this, derivations of astronomical values were important. Time had to be integrated with that of  the position of the Constellations. Time he calculated as a measure of the interdependent integers of the positions of other galaxies and the core of the universe and equated with sun at the centre.  Gayatri, thus was contrary to the notions and treatises of his predecessors including Skanda.

The priciples or Tat-va  to  understand a Mantra involves complex process and applications of different schemes. The right to decode such derivations and find its functional applications was vested with specific schools that came to be known after its proponent- a system of patented right of information dissemination.


Gayatri     attained stature of a basic mantra and was let out in the public domain to worship the Sun, with the meaning more or less like: - ‘we meditate on the glory of the Creator; who is worthy of Worship, Who is the source of knowledge, who is the bright light, May he illuminate our intellect. ‘
  
Kaushika identified fifteen plosive sounds and annealed it through a process of annealing to generate radiant probe system of Vikshepa and Akshepa. This radiant energy was further activated to achieve the transgression of perceptive senses into the depths of universe.  Gayatri comprises of fifteen elementary variables 
(1)  Bha, (2) Ga, (3) Da,  (4) Dha, (5) Ta, (6) Va, (7) Sa, (8) Ya, (9) Rr’ (10) Ha, (11) Ma, (12) Na, (13) N’na, (14) Pa and (15) Cha.

.Choice of 15 sounds is significant in relation to the rotation of the Earth , thus defining one diurnal cycle in 238 Bhur.( 23.8 hours approximated to 24 hrs.)


4.    Understanding Gayatri

The schematic process for unravelling Gayatri and its derivations  embedded witin Gayatri itself. Ga Ya tri. Endorses  tri or 3 .. the sequential order. Numerals 1, 2, 3 is a value that is centric.  
1+2+3 = 6
1x2x3 =  6
Gayatri     attained stature of an elementary mantra in praise of Sun or   therein with the meaning more or less like: - ‘we meditate on the glory of the Creator; who is worthy of Worship, Who is the source of knowledge, who is the bright light, May he illuminate our intellect. ‘Gayatri is encoded in the 3rd Mandala or book of Rig Veda.

 1.     BHUR BHUVA SVA
 Letter
Numerical Value
Ascribed  Value
BHURBHUVA SWA


BHA
24

RA
40

BHA
24

SA/
90

VA
60
238


  





SVA is not an expression complete with a finitude, it is indicative that total value is not a perfect number, therefore the last digit can be considered as a fraction. So the total value stands 23.8. BHU Units approximated to 24 units
 BHU= 24
Bhu . UR- :: Bhu.VA:: s.Va
Bhu- ur  = horizontal plane =    Bha/ R = 24/40 =  0.6   
Bhu    = Bh’ OO =  .  10x0 . 6 = 60 . i.e. 24 units of Bhu,
One BHUR = 60 UR
One UR =  one VA
Va =  60 
 1 BHUR  = one UR x One VA = URVA = 60x60 = 3600  and hence the unit of one BHUR is URVA , and the earth is given the URVI  based on this unit value.
SVA. Sva has half of Sa   with Va, pronounced to give the first half of each of the ascribed values , that is devoid of their zero. To say   S’ = 9 and  half  the value of  the following letter V’  6 being not a finite word  or (poornam as swara) zero values are be omitted. i.e= 9x 3 = 27 Bhu  = One  Sva =
This Yoga or cycle of S’ Va = has been  coined to give the name Savi to the Sun
 One unit cycle of the earth to round the sun is 27 Bhu .based on this Nabha Samyoga and Nava Samyoga calculations that appear in the other Hora Sastras.
SVA  samyoga or Sum is 9 +3 =  12 
BH ur SVA = 24  i.e 24/ 12 = 2
12 + 12 UR   =  1BHUR
12 BHUR  is  Savi or  time earth is exposed to sun in the order 3  BHUR transition from night to day and 9 BHUR as the direct exposure to sun.

 Therefore, i
BHUR BHUVA SWA= 238 units, Unit of a cycle of earth= I BHUVA (DAY)
Rounded into (9+3) + (9+3) = 12+ 12 units = 24 BHUR
i.e., 1 BHUVA = 24 BHUR  ( Hora or Hour)
    1VA  = 60 equivalent to the Seconds
60VA= 1 UR equivalent to Minute
60 UR = 1 BHUR equivalent to Hour

Transitory period from day to night and night to day = 3+ 3 = 6hrs
Effective day light = 9hrs and effective night =9 hrs.

2.    TAT   - SAVITURVARENYAM (ORBITORY CYCLE AROUND SUN)

From the previous Vyahriti, Sun is ascribed the name SAVI and Earth URVI.
URVA + VARENYAM = URVI VARENYAM=  TAT scheme. Saviturvarenyam implies that earth varenyam's or encircles the sun, defining the shape to that of a garland which is elliptical.

 SA
90

VA
60

TA
16

RA
40

VA
60

RA
40

NNA
15

YA
30

MA
25



366

 
Number of days required for Orbiting the Sun is divided along Nine Periods or Mah as per TAT system the number of days is calculated to be 366 days. TAT  is ‘ TRIGUNITHA SAMYOGAM”. As indicated in the previous code it has application of Nava Samyoga ( cumulation of 9) and in the present code it is Triguna Samyoga ( cumulate of 3).Trigunam  or Constant values of 3  are with Akriti or feature(20) Sankhya or numerical (7) and Aasraya or dependent number(3).By all means , TAT is a Samyoga or Cumulative function.
 The Mah or month is divided into 9 periods totaling 366 days as one savi-tur i.e., duration of one revolution around the sun.  These periods do not identical number of days to 30 31 and 28 as in today’s calendar.  Viswamitra system, defines the shortest period to be of 15 days and longest period with 90 days, only one period of 30 days and one period of 16 and one period of 15 days, indicates a behavioral change in the generalized lunar cycle of 14 days.
 CALCULATION OF the lunar cycle is given as NNYA-AM. (2+5) =7
NNYa  ( ½ of NNA i.e. NN’  8/2 = 4  added to  Ya ( value of Ya without zero)  =3,  i.e., 4+3 = 7 and AM ( MA = 25) = 2+5= 7 , 7+7 = 14 days  is half lunar cycle or full moon to new moon is 14 days and full moon to full moon is 28 days  the calendar on full moon day reads 0.
Total numerical value of Varenyam independently totals to 27, gives the basis for the astronomical calendar of 27 days.


3. BHARGO DEVASYA DHI MAHIM
 In a four year period, there is a variation of 24 hrs or one day, which he has elucidated through an elaborate method of splitting the days into 8 periods and deriving a variation of 24 hrs and thus arriving at a conclusion that a year has only 365 days. And in 4 years it will be adjusted to 366 days.
   
3.     DHI YOYO NA PRACHODAYAT
DHI elucidates 9 periods. These 9 periods termed as Mahi, or Months. The variations correspond to values as per the system of Yoyo. YO defines the distance between the sun and the earth while earth orbits round the sun.
And is given as Ga ya. Tri.
 GA. YA TRI   ( G’a+ aT’ + R’a) ee
 By the Scheme of Dhi
G’a   x   Y’a  x Ta  x  R’a  x  EE
      (  3x   30    x  16 x 40)  = 57600 x 102    = 5760000  x  G’ Y’ TA R’a e
Atre -  the number of times as the total value of  the same numbers Gayatri (atre) elucidates a progression of affixing the numerical values of resonaces ( nada or Sound).

  0
1
(1+0)
Aa
2
(1+1)
E
3
(1+2)
Uu
4
(1+3)
Rru
5
(1+4)
Ilu
6
(1+5)
Ei
7
(1+6)
I
8
(1+7)
  Au
9
(1+8)
Am
9
10

11
Ta
12
Ga
13
14
15
NnA
16
TA
17
18
Da
2(9)
19
Dha
20

21
Pa
22
23
24
BHA
25
MA
26
27

3(9)
28
29
30
Ya

31
32
33
34
35
36

4(9)
37
38
39
40
RA
41
42
43
44
45

5(9)
46
47
48
49
50

51
52
53
54

6(9)
55
56
57
58
59
60
VA
61
62
63

7(9)
64
65
66
67
68
69
70
71
72

8(9)
73
74
75
76
77
78
79
80
81

9(9)
82

83
84
85
86
87
88
89
90
SA

9(10)
91
92
93
94
95
96
97
98
99

11(9)
100
Ha
101
102
103
104
105
106
107
108

                                
Kaushika progression: Numerical values of sounds in the order of values beyond eight. All sounds do not have representative alphabets, can only be represented through numerical positioning.  Numerical position and value s together with an alphabet render an expression that may be a word or a sentence or more in volumes. This system of progression innovated by Kaushika.  Madhu Chchanda is a complementary system to Gayatri

Ga=3+ y’= 3+ t’=16+ r’ =4 , total  26
 5760000 x (3 +3+16+4) = 5760000 x 26 = 14976,0,000 YO as the distance between the earth and the sun.

Viswamitra   expounded his theories in Gayatri .that can be summarized as:-

 Theory 1. 
Rotation of the earth accounts for the    day and nights. Earth completes one cycle in twenty four hours, 12 hours day and night, 60 seconds make one minute, 60 minutes make one hour and 24 hours make one day.
 Theory 2.
“Prachodaya or Prachir Udaya”. Rotation of the earth accounts for the appearance of the Sun as rising in the east,  


Theory 3 .
“Saviturvarenyam” or revolution of the earth around the Sun accounts for nine periods or  Mahim or months.
 Theory 4.
Orbital path of the earth around the Sun is Oval or elliptical
 Theory 5.
Rotation and revolution and the distance factor with the Sun and Moon and the cycles all together accounts for the Gravitational force .
 Theory 6.
 Gravitational force is the reason for weight.
 Theory 7: 
 At the end of every three years, one day accumulates that gets added to the 4th year and that is Leap year.
 Theory 8. 
 One unit of Gayatri, YO, the distance between the sun and the earth is calculated near to perfection, may be correct on approximation at that point of time.
 Gayatri denotes One Astronomical Unit as the distance between Sun and the earth as 14976,0,000 YO 

This understanding of time led to the codification of the Knowledge systems into a classified format. The question on the origin of the Vedic system is beyond comprehension, as the  Veda were in existence prior to the Kruta yug.   Vedas are beyond what it is understood, as explained in Hayagrivopanishad in Atharva Veda. Hayagrivopanishad throws light on Hayagriva restoring the Vedas to Brahma.  Hayagriva is represented with the face of horse an incarnation of Vishnu and the interlink here is of Goddess Sraswati , the mother of  Vani ( sound) and Letters (Akshara).

After the Vedas were stolen, the realization that Knowledge cannot be concealed.  Under the patronage of Hayagriva, the four Rishis Brahma and Surya, Atri and Bhargava, systematized the  Vedas based on the Schemes of Gayatri, Anushtupa and Trvashtupa.  Gayatri system was retained by Brahma and Surya, Anushtupa  was with Atri and Trvashtupa was  vested with Bhargava.Gayatri continued to be format of the basic template and deal with higher orders of Knowledge system that is not for the consumption of the general public and other categories of scholars.

 Anushtupa was configured for the purposes of  Anushtana or systematic living and rituals, for the societal welfare  (Praja palanam)  and Purohitam ( welfare of the city state) it is meant for different tiers of the society including ruling class.

Thrvashtupa stream contained the foundations for public utility meant for Public, based on the division of labour.

Anushtupa gave birth to Tantra and mantra systems and upa vedas of Ayurveda and  Gandharva veda Samhitas or Parenthesis and Teratises . Trvastupa created branches of Stapathya or Archetecture, Dhanurvedam . Respective schools developed Sidhantas and Upanishads, Ithihasa(history) and Purana ( epics) for diversification of their respective branches. Vedic finally landed in the hands of  V who created a yasa leaving written form of the Anushtana Veda under three branches of Rig, Sama and Yajur and later Atharva was compiled by Yajnavalkia . Vyasa created Brahminical schools and   Gyatri was made the basic foundation of Brahminzation. Initiation to Braminism is by imparting the key mantra of Gayatri to open up the Upanayanam and giving the Holy thread of Yajnopavaeetam or Janayu. Yajnopaveetham is the symbolism of the genome or the basic information system of the Vedas, to which one gets entitled to accrue there on.  

Gayatri is the basic foundation to open up the vast space of the Vedas.  Turn of events and geo political transitions led to situations whereby Gayatri turned out be a Mantra for the invocation and observance for the Sun God. Underlying Schemes to transcribe the Vedas to the diversified branches of knowledge   lost. Some schools like Kapila to Valmiki and Agasthya propagated the Sankhyam-the numerical and Ganita systems, Bhargava and Bharadvaja schools worked on the Dhanurveda and worked out up to Vimana Sastra or Avionics. After the extermination Tvashtr, Viswakarma school further developed the system of Sthapatya Veda including metallurgy and architecture. Kapila, Gautama, Valmiki and Agastya schools developed Ganita and Astronomy, Asvini and Dhanvantari, chyavana and Agastya  schools developed Ayurveda the rest of all the schools remained purely ritualistic. Dhanurvedam that imparted skill, management, administration and defense eventually was lost with the end of the Prajapatis or the centralized rule of the Indian continent.



The new generation witnessed the convergence at Naimisharanya with the Sage Suka there upon the emergence of Samskrutam format takes it origin and becomes popular as the Brahminical Schools and reaches its pinnacle with Paanini and Pathanjali. The linguistic schools created the schools of logic and gave birth to the literary and performing art forms. Without patronage, the Primary Vedic Schools suffered setback.
Understanding Gayatri Scheme is the way to get back to the Vedas as it was drawn. Gayatri Scheme was a means to have the basic format secure and protected to be free from misappropriation.

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